Graeme Revell's ' "The Nightmare" was released on its scheduled release date, May 3, 1996. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Craft (Original Motion Picture Score)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, The Nightmare is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Nightmare by Graeme Revell having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Matt & Ginger Killed / Sarah Calls Detectives | Brad Fiedel | D Major | 5 | 10B | 176 BPM | ||
| Different Types | Joel Sandro, Joel | D Major | 2 | 10B | 84 BPM | ||
| No Easy Answers | Nick Cave, Warren Ellis | A♭ Major | 0 | 4B | 76 BPM | ||
| Trinity Dream | Don Davis | C Minor | 8 | 5A | 75 BPM | ||
| Equipos De Confianza | Luz De Medianoche | F♯ Minor | 1 | 11A | 130 BPM | ||
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| Fly High | Sabir Babayev, Strelka | D Minor | 3 | 7A | 90 BPM | ||
| Das Bild | Stephor Shpandau | C Major | 1 | 8B | 75 BPM | ||
| Love Scene | Brad Fiedel | D Minor | 0 | 7A | 168 BPM | ||
| Rockwell Codex Archives - The Purple and The Red 1 | Gareth Coker | B♭ Major | 3 | 6B | 168 BPM | ||
| Lamenta | Mark Snow | D Minor | 1 | 7A | 71 BPM | ||
| Fides Fragilis | Mark Snow | E Minor | 2 | 9A | 89 BPM | ||
| Stranger in the Crowd | Jeff Russo | B♭ Major | 3 | 6B | 168 BPM | ||
| Opening Titles / Blood Drips | David Julyan | D♭ Major | 1 | 3B | 116 BPM | ||
| Father, Leave Me | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | B♭ Major | 3 | 6B | 168 BPM | ||
| Bow Whisk Orchestra | Don Davis | C Major | 2 | 8B | 136 BPM | ||
| Lose Yourself | Roshan Sani, Mina Mone | B♭ Major | 1 | 6B | 48 BPM | ||
| Don Falcone Strangles Liza | David Russo, Graeme Revell | B♭ Minor | 1 | 3A | 192 BPM | ||
| Hell's Kitchen | Graeme Revell | C Minor | 2 | 5A | 151 BPM | ||
| Manipulated Living | Michael Andrews | F Minor | 3 | 4A | 119 BPM | ||
| Home Invasion | Graeme Revell | A Major | 8 | 11B | 150 BPM | ||
| Thank You | Sara Baghirova, Sara Bag | B♭ Major | 1 | 6B | 80 BPM | ||
| Hong Kong Themes | Jesper Kyd | D♭ Major | 5 | 3B | 100 BPM | ||
| Think About Us | Keramet Boyukcol, Kukando | B♭ Major | 5 | 6B | 75 BPM | ||
| Mitus Lumen | Mark Snow | A Minor | 4 | 8A | 180 BPM |