"Five Steps to the Answer" by Wolf Escher, Marco Pierobon had its release date on May 30, 2025. This song appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "PieroTrumpet Ensemble". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of Five Steps to the Answer is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Five Steps to the Answer by Wolf Escher, Marco Pierobon having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| KAWANABE | Yuta Bandoh, Kohei Ueno | E♭ Major | 4 | 5B | 192 BPM | ||
| ヴィンスモーク・サンジ | 田中公平 | G Minor | 0 | 6A | 81 BPM | ||
| shrine at pm 4 | いろんなためいき | E Minor | 0 | 9A | 146 BPM | ||
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| [Solo-Leveling]PianoSolo4 | Sawano Hiroyuki | A♭ Major | 8 | 4B | 150 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM | ||
| Transcendence | Alice Coltrane | A♭ Minor | 3 | 1A | 172 BPM | ||
| Cathexis Interlude | Changeling | A Major | 1 | 11B | 113 BPM | ||
| Old Bones | Gooseworx, Evan Alderete | G Major | 0 | 9B | 50 BPM | ||
| Take As Many With Me As I Could | Daniel Hart, Bobak Lotfipour | F Minor | 3 | 4A | 66 BPM | ||
| Qui a Autorize Cette Horreur | Amanda Irarrazabal, Volker Goetze | D♭ Major | 7 | 3B | 79 BPM | ||
| Warm Valley | The Heath Brothers, Stanley Cowell | E♭ Major | 1 | 5B | 108 BPM | ||
| Dolomiti Spring / ドロミティ・スプリング | Yasuaki Shimizu & Saxophonettes | D Minor | 2 | 7A | 78 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | D♭ Major | 7 | 3B | 79 BPM | ||
| Hochzeitsmarsch | Felix Mendelssohn, Klazz Brothers, Cuba Percussion | G Major | 8 | 9B | 174 BPM | ||
| Hunter Vessel | Björk | D Major | 1 | 10B | 100 BPM | ||
| Barcarolle | Sergei Rachmaninoff, Alexander Sevastian | G Major | 3 | 9B | 101 BPM | ||
| Movement V—Self-Organizing Emergent Patterns | Sufjan Stevens | A♭ Major | 2 | 4B | 68 BPM | ||
| アマンダのテーマ | SIE Sound Team, Yutaka Minobe | C Minor | 1 | 5A | 100 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | D♭ Major | 7 | 3B | 79 BPM | ||
| Der Endless Dream | Radare | C Minor | 0 | 5A | 47 BPM | ||
| Quarter Chicken Dark | Stuart Duncan, Edgar Meyer, Chris Thile, Yo-Yo Ma | B Major | 2 | 1B | 144 BPM | ||
| Laurita | Valentiana, Thierry Thibault, Jean François Durez, Richard Galliano | A Minor | 1 | 8A | 137 BPM | ||
| Argorok Battle, Second Half Intro (From The Legend of Zelda, Twilight Princess) [Instrumental Mix] | Arcade Player | A♭ Major | 4 | 4B | 162 BPM |