"8.VI.1810 ... zum Geburtstag R.A.Schumann: 1. Elegie" by Valentin Silvestrov, Anja Lechner, Agnès Vesterman had its release date on September 22, 2017. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Valentin Silvestrov, Anja Lechner, Agnès Vesterman's "Hieroglyphen der Nacht" album is number 7 out of 17. In terms of popularity, 8.VI.1810 ... zum Geburtstag R.A.Schumann: 1. Elegie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 8.VI.1810 ... zum Geburtstag R.A.Schumann: 1. Elegie by Valentin Silvestrov, Anja Lechner, Agnès Vesterman to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi Allegretto | Camille Saint-Saëns, Rudolf Koelman, Sinfonietta Schaffhausen, Paul K. Haug | F Major | 1 | 7B | 101 BPM | ||
| 3 Postludes: Postlude No. 1 "DSCH" | Valentin Silvestrov, Maacha Deubner, Simon Fordham, Anja Lechner, Silke Avenhaus | G Minor | 0 | 6A | 130 BPM | ||
| The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
| Adagio of Spartacus and Phrygia (Transcr. E. Khachaturian for Solo Piano) - Excerpt | Aram Khachaturian, Jean-Yves Thibaudet | F Minor | 0 | 4A | 67 BPM | ||
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
| Echoes | Luke Faulkner, Emma Arizza, Martha Mitu, Caleb Sibley, Tom Huet | A♭ Major | 1 | 4B | 66 BPM | ||
| Post Scriptum – Sonata For Violin and Piano: II. Andantino | Valentin Silvestrov, Alexei Lubimov, Alexander Trostiansky | A♭ Major | 0 | 4B | 138 BPM | ||
| Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM | ||
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Pierre Génisson, Bruno Fontaine | D Minor | 0 | 7A | 121 BPM | ||
| Berceuse in D Major, Op. 16 | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | D Major | 0 | 10B | 67 BPM | ||
| Tempelhof (Arr. for Viola & Piano by Dana Dörken and Adrien La Marca) | Adrien La Marca, Danae Dörken | D Major | 0 | 10B | 69 BPM | ||
| Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| 4 Klavierstücke, Op.119: I. Intermezzo (Adagio) | Johannes Brahms, Philip Mayers, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Désir | Dan Evmark, Paula Gustafsson | D Minor | 1 | 7A | 134 BPM | ||
| Melodies of the Upper Worlds (Arr. M. Ayrapetyan for Piano): XIII. To Proclaim in the Morning About Your Mercy | Baal HaSulam, Mikael Ayrapetyan | A Major | 0 | 11B | 70 BPM | ||
| Butterfly Lovers Violin Concerto: III. Adagio assai doloroso | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez, Ng Pei-Sian | D Major | 1 | 10B | 101 BPM | ||
| Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | ||
| Prelude No. 5 | Federico Mompou, Mao Fujita | A Major | 3 | 11B | 80 BPM |