On April 1, 2010, the song "Data Ek Ram" was released by Hemant. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Data Ek Ram's duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Data Ek Ram is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Data Ek Ram by Hemant is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Satya hi Shiv hai | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Gnyadinda Shiva | Ramalingaiah Gowda | A Major | 6 | 11B | 106 BPM | ||
| Bhakt Deen Mi Deenanath Tumhi | Kamalakar Tapasvi | F Major | 7 | 7B | 88 BPM | ||
| Nirakhane Ganganamaan | Ashit Desai & Group | D♭ Major | 2 | 3B | 144 BPM | ||
| Hai Surta | Sanju Sharma | D♭ Major | 9 | 3B | 85 BPM | ||
| Nwngbai Malaikha Aswk Salni Ulo | Arun Debbarma | E♭ Major | 9 | 5B | 114 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Thunga Theeradi Nintha | Narashima Naik, Purandara Dasaru | G Major | 8 | 9B | 115 BPM | ||
| Aarti Oaru | Rajesh Bisen | A Major | 5 | 11B | 100 BPM | ||
| Hennumakkale Nimage | Basamma Hiremath | E♭ Major | 7 | 5B | 129 BPM | ||
| Swwami Kripa Kadhi Karnaar | Ajeet Kumar Kadkade | B♭ Major | 6 | 6B | 103 BPM | ||
| Tande Neene | Puttur Narasimha Nayak, Kumari Sneha | A♭ Major | 6 | 4B | 145 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Holi Me Aaja Jija | Sanjay Kala, Soni, Hemant, Kabir | D♭ Minor | 9 | 12A | 93 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM | ||
| Chandi Chamunda Chotila Vali | Kirtidan Gadhvi, Kavita Das | F Major | 8 | 7B | 144 BPM | ||
| Gajavadana | Mandar Apte | G Major | 5 | 9B | 87 BPM | ||
| Mandap Ropan-Maro Mandavdo | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Akkayya Nodubare | Hemant, Sunita S | F♯ Major | 7 | 2B | 98 BPM | ||
| Koduva Kartu | Sri Vidyabhushana | G Minor | 7 | 6A | 97 BPM | ||
| Ek Bar Jana Hai Jana Sai Ki Nagariya | Paras Jain | F♯ Major | 9 | 2B | 122 BPM | ||
| Yaramma Navilanneri Bandavan | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Ame Aavya Ramva | Appu, Suchita | F Minor | 4 | 4A | 105 BPM | ||
| Paalne Me Jhule Nand Lala | Prem Prakash Dubey | A Minor | 8 | 8A | 150 BPM | ||
| Ha Re Me To Nirakhya | BAPS Swaminarayan Sanstha | G Major | 4 | 9B | 156 BPM |