Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek's ' "Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. I: Tempo della Thema" was released on its scheduled release date, September 23, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 14 in Elgar: Cello Concerto, Op. 85 - Tchaikovsky: Variations on a Rococo Theme Op. 33 by Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra. In terms of popularity, Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. I: Tempo della Thema is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. I: Tempo della Thema by Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On the Hills of Manchuria | Ilya Alekseevich Shatrov, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | F♯ Major | 10 | 2B | 136 BPM | ||
| The Four Seasons: Concerto No. 1 in E Major, RV 269 "La primavera" (spring): I. Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | A♭ Major | 3 | 4B | 126 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Louis Frémaux, Brenda Lucas, John Ogdon, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
| Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
| 4 Impromptus, D. 899 (Op. 90): No. 3 in G-Flat Major. Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
| Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | A Minor | 2 | 8A | 87 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
| Aus aller Herren Landern (From Foreign Lands), Op. 23: II. Italian: Presto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | E Major | 2 | 12B | 171 BPM | ||
| Overture (Suite) No. 2 In B Minor, BWV 1067 : VII. Badinerie | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| The Sleeping Beauty, Op. 66, Prologue: No. 2, Dancing Scene. Entrance of the Fairies | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | C Major | 1 | 8B | 138 BPM | ||
| Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
| Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Minor | 3 | 5A | 98 BPM | ||
| 8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
| Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante | Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov | B Minor | 1 | 10A | 106 BPM | ||
| The Blue Danube Waltz, Op. 314 | Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
| Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 70 BPM | ||
| Giselle, Act 1: No. 1 Pheasants' Entrance, Entrance of Hilarion | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Swan Lake Suite, Op. 20a: I. Scene "Swan Theme". Moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM | ||
| Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM |