"Swan Lake Suite, Op. 20a: I. Scene "Swan Theme". Moderato" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich had its release date on January 1, 1996. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Tchaikovsky: Ballet Suites (Nutcracker, Swan Lake & Sleeping Beauty)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Swan Lake Suite, Op. 20a: I. Scene "Swan Theme". Moderato is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake Suite, Op. 20a: I. Scene "Swan Theme". Moderato by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
| Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 55 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 88 BPM | ||
| Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 77 BPM | ||
| Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
| Caprice in A minor, Op. 1, No. 5 | Mayuko Kamio | A Minor | 3 | 8A | 176 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 132 BPM | ||
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
| Romeo Et Juliette: Danse Des Chevaliers | Les Chœurs De L'armée Rouge | C Major | 2 | 8B | 99 BPM | ||
| Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
| Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | E Minor | 1 | 9A | 93 BPM | ||
| Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
| Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
| Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
| Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 108 BPM | ||
| Carmen: Habanera - Instrumental | Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 136 BPM | ||
| Air on the G String from Suite No. 3, BWV 1068 - Instrumental | Johann Sebastian Bach, Richard Kapp, Philharmonia Virtuosi of New York | D Major | 2 | 10B | 111 BPM | ||
| Piazzolla: Oblivion | Julian Lloyd Webber, John Lenehan | D Minor | 0 | 7A | 81 BPM | ||
| Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
| Swan Lake, Op. 20, Act II: Dances of the Swans - Allegro moderato | Pyotr Ilyich Tchaikovsky, Yevgeny Svetlanov, USSR State Symphony Orchestra | A Major | 1 | 11B | 102 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Waltz No. 19 in A Minor, B. 150 | Frédéric Chopin, Vittorio Forte | A Minor | 1 | 8A | 74 BPM | ||
| Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
| The Snow Maiden, Op. 12: I. Introduction | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 0 | 8B | 91 BPM |