Harry "Sweets" Edison, Buck Clayton, Jimmy Forrest, Jimmy Jones, Joe Benjamin, Charlie Persip's ' "Memories for the Count - Alternate Take" was released on its scheduled release date, November 11, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 23 in the song's album "The Swinger (Complete 1958 Sextet Sessions)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Spain. In terms of popularity, Memories for the Count - Alternate Take is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Memories for the Count - Alternate Take by Harry "Sweets" Edison, Buck Clayton, Jimmy Forrest, Jimmy Jones, Joe Benjamin, Charlie Persip having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Close My Eyes | Blue Mitchell | F Major | 4 | 7B | 105 BPM | ||
| Happy Little Sunbeam | Chet Baker Quartet | C Major | 3 | 8B | 122 BPM | ||
| I Cried for You | Buddy Tate, Harry "Sweets" Edison | G Minor | 2 | 6A | 171 BPM | ||
| Whisper Not | Art Farmer & Benny Golson Jazztet | D Minor | 1 | 7A | 101 BPM | ||
| You'd Be So Nice to Come Home To - 1990 Remaster | Bud Powell Trio | D Minor | 1 | 7A | 102 BPM | ||
| Teach Me Tonight | Ray Brown Trio | F Major | 2 | 7B | 111 BPM | ||
| The Cool One | Art Farmer & Benny Golson Jazztet | B Minor | 2 | 10A | 127 BPM | ||
| Batter Up | Chet Baker Quartet | F Minor | 4 | 4A | 119 BPM | ||
| Robin's Nest | Harry "Sweets" Edison, Eddie "Lockjaw" Davis, Hugo Rasmussen, Kenny Drew, Sven Erik Nørregaard | D♭ Major | 3 | 3B | 144 BPM | ||
| All The Way - Rudy Van Gelder Edition / 2007 / Digital Remaster | Lee Morgan | C Minor | 2 | 5A | 117 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 3 | 8B | 82 BPM | ||
| Makin' Whoopee - Instrumental | Red Garland Trio | D Minor | 1 | 7A | 97 BPM | ||
| Body and Soul (alternate Take) | Paul Desmond, Gerry Mulligan | G Major | 2 | 9B | 62 BPM | ||
| Sunday | Harry "Sweets" Edison | A♭ Major | 4 | 4B | 186 BPM | ||
| Chartreuse | Kenny Drew | D Major | 1 | 10B | 130 BPM | ||
| Night And Day | Billy Taylor | A♭ Major | 3 | 4B | 112 BPM | ||
| Soul Eyes | John Coltrane Quartet | F Minor | 3 | 4A | 78 BPM | ||
| Have You Met Miss Jones? | Illinois Jacquet | F Major | 2 | 7B | 104 BPM | ||
| Night And Day | Don Byas | A♭ Major | 1 | 4B | 117 BPM | ||
| Black Coffee | Duke Pearson | B♭ Minor | 3 | 3A | 98 BPM | ||
| Talk Of The Town | Buddy Tate, Paul Quinchette, Cliff Smalls, Major Holley, Jackie Williams | A Minor | 1 | 8A | 65 BPM | ||
| Bewitched | Art Pepper | C Minor | 1 | 5A | 66 BPM | ||
| Sweet Pumpkin | Blue Mitchell | F Major | 3 | 7B | 93 BPM | ||
| Everybody Gets the Blues | Eric Scott Reed | F♯ Major | 1 | 2B | 70 BPM | ||
| Stars Fell On Alabama | Sonny Stitt | B♭ Major | 3 | 6B | 130 BPM |