Quintet: III. by Ralph Shapey, Raymond Mase, Chris Gekker, David Wakefield, Michael Powell, Robert Biddlecome Song Details

"Quintet: III." by Ralph Shapey, Raymond Mase, Chris Gekker, David Wakefield, Michael Powell, Robert Biddlecome had its release date on January 1, 1989. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Quintet: III.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in American Brass Quintet: Works by Bolcom, Druckman, Shapey, Wright by Raymond Mase, Chris Gekker, David Wakefield, Michael Powell, Robert Biddlecome. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Quintet: III. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Quintet: III. by Ralph Shapey, Raymond Mase, Chris Gekker, David Wakefield, Michael Powell, Robert Biddlecome is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.

Music Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -25.101 dB
Acousticness: 95%
Danceability: 31%
Energy: 1%
Instrumentalness: 31%
Liveness: 20%
Loudness: 58%
Speechiness: 4%
Valence: 4%

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