Francesco Landini, Blondel's 'Adiu, adiu, dous dame' had a release date set for March 1, 2019. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Adiu, adiu, dous dame's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Of Arms and a Woman: Late Medieval Wind Music". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Adiu, adiu, dous dame is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adiu, adiu, dous dame by Francesco Landini, Blondel having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ode To Aion (Original Composition For Replica Lyre in the Ancient Greek Phrygian Mode) | Michael Levy | B Minor | 0 | 10A | 109 BPM | ||
| A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
| Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
| Franchino Gaffurio: Virgo Dei | Franchino Gaffurio, Massimo Lonardi | D Minor | 0 | 7A | 58 BPM | ||
| Quant je sui mis au retour | Guillaume de Machaut, Marc Mauillon, Pierre Hamon, Viva Biancaluna Biffi, Angélique Mauillon, Michaël Grébil | B Major | 1 | 1B | 87 BPM | ||
| Au temps d'auost | Guiraut Riquier, Martin Best Medieval Ensemble | G Major | 5 | 9B | 114 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
| Lasso! per mie fortuna | Francesco Landini, Anonymous 4 | B♭ Minor | 1 | 3A | 82 BPM | ||
| Sixteenth Century French Dances: L'Homme Arme | Michael Praetorius, Calliope - A Renaissance Band | A Major | 1 | 11B | 138 BPM | ||
| Joie, plaisance et douce nourriture | Guillaume de Machaut, Emmanuel Bonnardot, Dominique Vellard, Pierre Hamon, Brigitte Lesne | E♭ Minor | 2 | 2A | 89 BPM | ||
| La Figlia di Guglielmino | Antonio Cornazzano, Into the Winds | E♭ Major | 0 | 5B | 84 BPM | ||
| Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts): No. 15, O frondens virga (Instrumental Version) | Hildegard von Bingen, Augsburg Early Music Ensemble | D Major | 0 | 10B | 77 BPM | ||
| Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
| Pavan Lesquercarde | Pierre Phalese, Folger Consort | F Major | 0 | 7B | 109 BPM | ||
| Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
| Non arà ma' pietà | Francesco Landini, Anonymous 4 | B♭ Major | 0 | 6B | 103 BPM | ||
| D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
| Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo | Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 2 | 3A | 159 BPM | ||
| Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
| Anne Boleyn's Songbook: Tota pulchra es | Jean Mouton, Alamire, David Skinner | G Minor | 0 | 6A | 93 BPM | ||
| Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
| Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | ||
| In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
| Cantiga No. 10, "Rosa das rosas": Rosa das rosas (CSM 10) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 0 | 8B | 134 BPM |