"Awakening" by Richard Hardrick had its release date on May 21, 2021. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Awakening's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 20 in Continuum by Richard Hardrick. Going off of the ISRC code of this track, we detected that the origin of this track is from Chile. Based on our statistics, Awakening's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Awakening by Richard Hardrick is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Calm Air | Richard Hardrick | E Minor | 8 | 9A | 100 BPM | ||
| Twilight Carved in Shadows | Obscyria | F Major | 2 | 7B | 81 BPM | ||
| The Mass | Andy Maranell, Andy Mardan | C Minor | 2 | 5A | 85 BPM | ||
| Permission to Land, Commander | Antonio Gradanti, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| Clone Spotting | Daniel Pemberton | A Major | 1 | 11B | 169 BPM | ||
| Counterattack | Richard Hardrick | D♭ Major | 7 | 3B | 98 BPM | ||
| Juicio Sin Final | Valores Especiales | E Minor | 2 | 9A | 88 BPM | ||
| A Little Touch | Madina Janiyaz, Aleeya | F♯ Major | 3 | 2B | 130 BPM | ||
| The Burning of Kullervo | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | E Minor | 0 | 9A | 51 BPM | ||
| Sparkle | Erakil Leumann, Erakil Lee | B Major | 3 | 1B | 100 BPM | ||
| The Longest Night | zdone | C Minor | 0 | 5A | 89 BPM | ||
| Inner Planets | Anže Rozman, Andrew Christie | A Major | 1 | 11B | 72 BPM | ||
| Tutorial | Paul Ruskay | F Major | 1 | 7B | 129 BPM | ||
| Moving Forward | Richard Hardrick | D Major | 3 | 10B | 149 BPM | ||
| Mirages at Dawn | Knut Avenstroup Haugen, The Chamber Orchestra Of London | D Major | 1 | 10B | 100 BPM | ||
| What Happens in Helmand | Ian Arber, Dave Rowntree | D♭ Major | 1 | 3B | 115 BPM | ||
| El Control Perdido | Valores Especiales | A Minor | 4 | 8A | 138 BPM | ||
| Occhi Aperti | Sagrifizio | C Minor | 1 | 5A | 80 BPM | ||
| Legacy of the Fremen | Knut Avenstroup Haugen, The Chamber Orchestra Of London | D Minor | 1 | 7A | 69 BPM | ||
| Dar La Espalda | Batallas Vencidas | F♯ Minor | 3 | 11A | 100 BPM | ||
| The White Night | Elior Sorin | C Major | 2 | 8B | 148 BPM | ||
| Voyager Crossing | Anže Rozman, Andrew Christie | G Minor | 1 | 6A | 129 BPM | ||
| Always Forever | Naomi Chinenye, KOOKA | E Major | 2 | 12B | 62 BPM | ||
| Blue Bird | Stapal | E♭ Major | 8 | 5B | 158 BPM | ||
| A Las Puertas | Hasta El Final | D♭ Minor | 0 | 12A | 69 BPM |