On 1996, the song "Thangi Bara" was released by Basavaraj Ghivari, B. R. Chaya. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Basavaraj Ghivari, B. R. Chaya's "Hogi Baa Magale" album is number 4 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Thangi Bara is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Thangi Bara by Basavaraj Ghivari, B. R. Chaya to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oora Sattaru Hanumappa | Shabbir Daange, Shamitha Malnad | D Major | 4 | 10B | 116 BPM | ||
| Siva Namam | Karan, Anuradha Sriram | F♯ Minor | 5 | 11A | 85 BPM | ||
| Giriyu Shiva Giriyu | Darshan Melavanki, Lokesh Gowda, Annamayya Keerthana | G Minor | 7 | 6A | 95 BPM | ||
| Jayamangala Nirutha | Rajkumar | D♭ Major | 4 | 3B | 107 BPM | ||
| MOODALA GIRIYONE | Malavalli Dr M Mahadevaswamy | G Major | 7 | 9B | 105 BPM | ||
| Naranaroopadali Harana | Rajkumar | C Minor | 5 | 5A | 82 BPM | ||
| Panchami Bandaithi Nanna Jodi Aadaka | Malu Nipanal Singer | A Minor | 4 | 8A | 146 BPM | ||
| Hariya Neneyada | Dr.Rajkumar | D♭ Major | 6 | 3B | 101 BPM | ||
| Naa Kodisida Bali | Basavaraj Narendra, Shamita | A Major | 5 | 11B | 102 BPM | ||
| Babbbarya | Hemanth Kumar | B♭ Major | 8 | 6B | 147 BPM | ||
| Preethi Manasu | Basavaraj Ghivari, Shamitha Malnad | C Major | 6 | 8B | 85 BPM | ||
| Neerajanam | Dr. M. Balamuralikrishna | F Major | 4 | 7B | 99 BPM | ||
| Namadi Swarnalayam | Madhu Balakrisha | D♭ Major | 8 | 3B | 200 BPM | ||
| Trikala Poojithe Shri Daneshwari | M.S. Maruthi, Manjula, Anitha Akhila, Jagdish, Basavaraj Ghivari | C Minor | 5 | 5A | 81 BPM | ||
| THULASI MANI | Veeramanidaasan | B♭ Minor | 9 | 3A | 94 BPM | ||
| Nimma Maneyaga Kelire Henna | Balu Belagundi, Basu Byaagi Managa | A♭ Major | 7 | 4B | 87 BPM | ||
| Tudugile Maadikond Honti Gelathi | Music Mailari | G Major | 7 | 9B | 170 BPM | ||
| Hennina Janmaka Makkala | Basamma Hiremath, Basavaraj Ghivari, Roopa Bijapur | A Major | 5 | 11B | 84 BPM | ||
| O Prema Prema (From "Guru Brahma") | Mano, Rajesh Krishnan, Hamsalekha | C Major | 5 | 8B | 136 BPM | ||
| Nereda Suddi Helidi | Basavaraj Ghivari | C Major | 6 | 8B | 85 BPM | ||
| Sri Hari Seshadri | Gopikapoornima, Ramu, Muralidhar & Chorus | E Minor | 5 | 9A | 101 BPM | ||
| Maduve Maduve (From "Guru Brahma") | K. J. Yesudas, Mano, K. S. Chithra | B♭ Major | 7 | 6B | 110 BPM | ||
| Marugelara O Raghava | Nitya Santoshini | F♯ Minor | 4 | 11A | 91 BPM | ||
| Nettana Mooga | H. B. Fareet | G Major | 8 | 9B | 110 BPM | ||
| Koliye Neenu Koliye | C. Ashwath | C Major | 5 | 8B | 82 BPM |