Dr. M. Balamuralikrishna's ' "Neerajanam" was released on its scheduled release date, February 7, 2022. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Umashankara Sthuthi Maala". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Neerajanam is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Neerajanam by Dr. M. Balamuralikrishna having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ganeswarasthakam | G. Anand | C Major | 1 | 8B | 116 BPM | ||
| Sharanu Sharanamma | Puttur Narasimha Nayak, B. R. Chaya | B Major | 5 | 1B | 148 BPM | ||
| Kolluril | L. R. Eswari | C Minor | 8 | 5A | 102 BPM | ||
| Njanapazhat Hai | K. B. Sundarambal, Kannadasan | G Major | 3 | 9B | 123 BPM | ||
| Hari Neeve Antaryami | G. Nageshwara Naidu | G Major | 4 | 9B | 104 BPM | ||
| Deivathamazh | Soolamangalam Sisters | D Major | 4 | 10B | 166 BPM | ||
| Ee Pariya Sobagaava (Duet) | Pandit Bhimsen Joshi, Dr. M. Balamuralikrishna | F Minor | 2 | 4A | 90 BPM | ||
| Anbu Malar | M. S. Viswanathan | A Major | 3 | 11B | 165 BPM | ||
| Ongi Ulagalarntha | Bombay Sisters, Traditional | D♭ Major | 7 | 3B | 164 BPM | ||
| Anti Antaka | M. Balamuralikrishna | F Major | 2 | 7B | 135 BPM | ||
| O Pavanathmaja | G Balakrishna Prasad | D Minor | 6 | 7A | 142 BPM | ||
| Kolloura Sridevi Mookambike | B.K. Sumitra | F♯ Minor | 5 | 11A | 85 BPM | ||
| Yennarugae Neeyirundhal | P. B. Sreenivas | B♭ Major | 5 | 6B | 114 BPM | ||
| Amma Seethamma | Purnachandra, Mst. Puneeth | E Major | 3 | 12B | 108 BPM | ||
| Koil Thiruppathikam | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Pootha Poojeye Devig | Puttur Narasimha Nayak, B. R. Chaya, Ratnamala Prakash | B Minor | 7 | 10A | 169 BPM | ||
| Hari Sarbhatoma | Bellur Sisters | A♭ Minor | 5 | 1A | 134 BPM | ||
| Chandrashekhar Ashtakam | Ramu, Purshottama Sai | B Minor | 6 | 10A | 120 BPM | ||
| Swamy Naamava Smariso | Puttur Narasimha Nayak | A Major | 6 | 11B | 91 BPM | ||
| Marai Udaiyai | SIVA DAMODHARAN AYYA | D Minor | 6 | 7A | 112 BPM | ||
| Maasil Veenaiyum | Pa. Sargurunathan | D♭ Major | 6 | 3B | 143 BPM | ||
| Thaye Yesoda - Maharajapuram Santhanam | Maharajapuram Santhanam | C Major | 4 | 8B | 81 BPM | ||
| Ganga Theeradha | M. S. Sheela | B♭ Minor | 5 | 3A | 166 BPM | ||
| Pagai Kadithal | Veeramanidasan | G Major | 7 | 9B | 171 BPM | ||
| Bho Sambho | Maharajapuram Santhanam | F Major | 8 | 7B | 82 BPM |