Eugene Onegin (Lyrical scenes in three acts) (Act 1): Introduction by Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra Song Details

"Eugene Onegin (Lyrical scenes in three acts) (Act 1): Introduction" by Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra had its release date on 1990. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Eugene Onegin (Lyrical scenes in three acts) (Act 1): Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #1. Based on our statistics, Eugene Onegin (Lyrical scenes in three acts) (Act 1): Introduction's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Eugene Onegin (Lyrical scenes in three acts) (Act 1): Introduction by Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 43%
Loudness: -31.042 dB
Acousticness: 95%
Danceability: 16%
Energy: 1%
Instrumentalness: 4%
Liveness: 11%
Loudness: 48%
Speechiness: 4%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La Mer, L.109: 2. Play of the Waves (Jeux de vagues)	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	E Major	1	12B	113 BPM
10 Preludes, Op. 23: No. 2 in B-Flat Major: Maestoso	Sergei Rachmaninoff, Eldar Nebolsin	D♭ Major	1	3B	63 BPM
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	69 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Eugene Onegin (Lyrical scenes in three acts) (Act 1): Larina: "Well, my lively one..."	Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra	B♭ Major	0	6B	73 BPM
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5	Johannes Brahms, Budapest Festival Orchestra, Iván Fischer	F♯ Minor	1	11A	107 BPM
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	B Major	4	1B	113 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	G Major	0	9B	103 BPM
Il barbiere di Siviglia: Overture (Sinfonia)	Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner	E Major	1	12B	92 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	80 BPM
Maskerade-Suite: I. Waltz	Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra	G Major	10	9B	107 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
Carmen, WD 31, Act III: Je ne trompe pas …	Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestr	D Minor	2	7A	107 BPM
Symphony No. 2 in A Major: II. Andante cantabile	Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar	F♯ Minor	1	11A	69 BPM
Nocturnes, CD 98: II. Fêtes	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	A Major	2	11B	79 BPM
Les saisons (The Seasons), Op. 37b: II. February: Carnival	Ilya Rachkovsky	E Major	1	12B	131 BPM
Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	C Minor	5	5A	112 BPM
Rachmaninov: Scherzo in D Minor	Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra	D Minor	1	7A	109 BPM
Tannhauser, Act II: Entrance of the Guests	Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz	B Major	1	1B	122 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Les Sylphides: 2. Nocturne, Op. 32, No. 2	Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge	A♭ Major	1	4B	125 BPM
The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	C Major	7	8B	91 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM
Masquerade Suite: Maskarad (Masquerade): I. Waltz	St. Petersburg State Symphony Orchestra, Aram Khachaturian	C Major	3	8B	94 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM