"Vexilla regis: II. Quo vulneratus" by Francisco Guerrero, Núria Rial, Yolanda Lázaro, Alicia Ramonet, Albert Folch, Pau Bordas, Tomás Maxè, Ignasi Jorda had its release date on January 1, 1997. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena's "Guerrero: Motecta" album is number 18 out of 39. Based on our statistics, Vexilla regis: II. Quo vulneratus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vexilla regis: II. Quo vulneratus by Francisco Guerrero, Núria Rial, Yolanda Lázaro, Alicia Ramonet, Albert Folch, Pau Bordas, Tomás Maxè, Ignasi Jorda to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Myn hert: Kyrie | Mathieu Gascongne, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 68 BPM | ||
| Si la noche haze escura | Francisco Guerrero, Fahmi Alqhai, Accademia del Piacere, Raquel Andueza | A Major | 2 | 11B | 71 BPM | ||
| O Virgo prudentissima: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Glory... Only Begotten Son, Op. 9 No. 2 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Adam Lay Ybounden | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Nox Sacra | Monks Of The Abbey Of Notre Dame, Wonderworker, The Schola Cantorum of St. John XXIII Parish | B♭ Major | 0 | 6B | 128 BPM | ||
| Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Praeter rerum seriem: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
| Josquin: Missa Gaudeamus - 04. Gloria in Excelsis Deo | The Tallis Scholars, Peter Phillips | A♭ Minor | 2 | 1A | 88 BPM | ||
| Graduale: II. In memoria aeterna | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 137 BPM | ||
| O lucidissima | Hildegard von Bingen, Laurie Monahan, Tapestry | F Major | 2 | 7B | 94 BPM | ||
| Liturgy of St. John Chrysostom: No. 15, Communion Hymn (Psalm 148) [After Valaam Chant] | Benedict Sheehan, The Saint Tikhon Choir, Timothy Parsons | D♭ Major | 2 | 3B | 129 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| Magne Pater Augustine | Francisco Guerrero, A5 Vocal Ensemble | B♭ Major | 2 | 6B | 95 BPM | ||
| Tenebrae Responsories, Sabbato sancto: V. O vos omnes | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 134 BPM | ||
| Monks Spiritual Peaceful Meditation | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Gregorian Chants | F Major | 1 | 7B | 114 BPM | ||
| O Holy God: The Trisagion | Kiev Chamber Choir | B♭ Major | 0 | 6B | 126 BPM | ||
| Veni sponsa Christi, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | B♭ Major | 2 | 6B | 98 BPM | ||
| Jubilus rhythmicus de nomini Jesu (2) | St. Bernard von Clairvaux, Ensemble Officium, Wilfried Rombach | E♭ Major | 0 | 5B | 130 BPM | ||
| Super flumina Babylonis | Giovanni Pierluigi da Palestrina, London Oratory Schola Cantorum, Charles Cole | B♭ Major | 2 | 6B | 65 BPM | ||
| Messe brève No. 7: IIa. Domine Fili unigenite | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | F Major | 0 | 7B | 137 BPM | ||
| Preisung CXLVIII | Sjaella | A Minor | 1 | 8A | 137 BPM |