On September 21, 1999, the song "Dharmantar" was released by Milind Shinde. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Dharmantar by Anand Shinde, Milind Shinde. Dharmantar is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Dharmantar by Milind Shinde is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nako Vajavu Shrihari Murali | Suryakant Shinde | A♭ Minor | 9 | 1A | 111 BPM | ||
| Chaitra Saptamichya Tya Dini | Deepa Patil | F♯ Major | 5 | 2B | 135 BPM | ||
| Ganpati Bappa Morya Mangalmurti Morya | Jaywant Kulkarni, Rani Varma | G Major | 8 | 9B | 91 BPM | ||
| Bhim Nagar Jhalay Ga | Milind Shinde | B Minor | 8 | 10A | 138 BPM | ||
| Pana Panat Kalu Tuzha Naav Ga Mala Distaya Mandhar Gaav Ga | Sakharabai Tekale | B Major | 8 | 1B | 129 BPM | ||
| Mala Ek Chanas Hava | Mahendra Kapoor, Usha Mangeshkar | C Minor | 8 | 5A | 90 BPM | ||
| Manorla Alish Ki Call Karat Ja | Sagar Kurhade, Jagdish Patil | D♭ Major | 8 | 3B | 172 BPM | ||
| Srivalli Tuna Pyar Ma Dil Dhadake | Govind Gaikwad | B Major | 9 | 1B | 93 BPM | ||
| Mhalsa Baanu Laaglyaat Bhandu | Adarsh Shinde | A♭ Major | 9 | 4B | 160 BPM | ||
| Vakun Taak Sada | Surykant Shinde | E♭ Minor | 9 | 2A | 97 BPM | ||
| Jeevala Jeevanch Daan | Sonu Nigam, Anwar Jaani | A Major | 7 | 11B | 150 BPM | ||
| Mazha Bhimacha Navan Kunku Lavila | Sushma Devi | D♭ Major | 5 | 3B | 169 BPM | ||
| Bhimrayacha Mala | Vitthal Umap | F Major | 5 | 7B | 158 BPM | ||
| Dharmantar | Milind Shinde | A♭ Major | 5 | 4B | 81 BPM | ||
| Mari Mahi Sagarne Are | Traditional, Praful Dave | F Major | 6 | 7B | 132 BPM | ||
| Sutala Mazha Padar Bai Mi Nhavte Bhanat - Yallama | Vijay Sartape | B♭ Minor | 8 | 3A | 125 BPM | ||
| Bhai La Ghayla Pinjara Ala | Ajay Gaikwad | D Major | 10 | 10B | 100 BPM | ||
| Kalubai Mazhi Khelte Fugadi | Vijay Sartape | B Major | 8 | 1B | 129 BPM | ||
| YA REY CHILIM HEE PETVA | Chhagan Chougule | F♯ Minor | 8 | 11A | 134 BPM | ||
| Radhe Mi Gokulcha Ganshyam | Anjanabai Jagtap | E♭ Major | 7 | 5B | 99 BPM | ||
| Yedamai Vishawas Tutu Det Nahi | Chandan Kamble | A♭ Major | 9 | 4B | 110 BPM | ||
| Palkhi Nighali Sainchi Mi Nighalo Shirdla | Sai bhakti, Rajesh Ranshur | C Minor | 8 | 5A | 128 BPM | ||
| Ye Ra Baa Saibaba | Sachidanand Appa | A♭ Major | 5 | 4B | 100 BPM | ||
| Manva Tu Visru Nako | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Hari Jay Jay Ram | Vishnubua Vavnjekar | B♭ Major | 5 | 6B | 175 BPM |