"Sonata Rapsodica per violoncello e pianoforte, Op. 8: Adagio, Andante, Presto - Allegro vivace" by Giorgio Ravenna, Teresa Procaccini had its release date on July 9, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Teresa Procaccini: Musica da Camera". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. Sonata Rapsodica per violoncello e pianoforte, Op. 8: Adagio, Andante, Presto - Allegro vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata Rapsodica per violoncello e pianoforte, Op. 8: Adagio, Andante, Presto - Allegro vivace by Giorgio Ravenna, Teresa Procaccini having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghosts | Mete Erker, Floris Kappeyne, Tijs Klaassen, Wouter Kühne | A♭ Major | 1 | 4B | 77 BPM | ||
| Myself When I Am Real | Charles Mingus | B♭ Minor | 2 | 3A | 133 BPM | ||
| Funky Fox | Mia Brentano, Benyamin Nuss, Billy Test | F♯ Minor | 2 | 11A | 87 BPM | ||
| Les métronomes détraqués | Christophe Rieger, Jean-Louis Marchand | E♭ Major | 0 | 5B | 71 BPM | ||
| Arabesque[Piano Seul] | Richard Clayderman | F♯ Minor | 2 | 11A | 110 BPM | ||
| Spirit World | Ivo Perelman, Matthew Shipp, Joe Morris | C Minor | 3 | 5A | 70 BPM | ||
| Danny Boy | Bill Evans, Shelly Manne | D Minor | 0 | 7A | 97 BPM | ||
| 1919 | Ryuichi Sakamoto | A♭ Major | 4 | 4B | 162 BPM | ||
| Introduction To People | Charlie Haden, Carla Bley, Don Cherry, Sharon Freeman, Mick Goodrick, Jack Jeffers, Michael Mantler, Paul Motian, Jim Pepper, Dewey Redman, Steve Slagle, Gary Valente | A Minor | 3 | 8A | 123 BPM | ||
| Bibo no Aozora | Ryuichi Sakamoto | A Minor | 1 | 8A | 140 BPM | ||
| The Single Petal Of A Rose - The Queen's Suite | Duke Ellington | E♭ Minor | 0 | 2A | 86 BPM | ||
| IMPROVISO I - A DANÇA DOS CAMIÕES / improvisation I - the dance of the trucks | Mário Laginha | F Major | 3 | 7B | 130 BPM | ||
| Round About Midnight | 本田竹曠トリオ | A♭ Major | 2 | 4B | 68 BPM | ||
| To Love | Tigran Hamasyan | F♯ Major | 1 | 2B | 169 BPM | ||
| August | Iiro Rantala | C Minor | 3 | 5A | 168 BPM | ||
| 3EM18_P_140_70bpm | Shiro Sagisu | E Minor | 2 | 9A | 210 BPM | ||
| Mysticism Of Money (Fugue in D Minor) | Mathis Picard | F Major | 3 | 7B | 130 BPM | ||
| Moment Exotique | Vladimir Horowitz | F Major | 3 | 7B | 130 BPM | ||
| 借り暮らしのアリエッティ | Kenji Kanemasu | G Minor | 2 | 6A | 160 BPM | ||
| Minor Heart | Shinya Kiyozuka, Hideakira Kimura | A♭ Major | 2 | 4B | 84 BPM | ||
| Church is Calling | SW, Valerie Manru | C Major | 1 | 8B | 95 BPM | ||
| A Maré Encheu | Heitor Villa-Lobos, Sergio Barcelos | B♭ Minor | 1 | 3A | 132 BPM | ||
| Aufschwung (Soaring) Schumann | Robert Schumann, Carol Lian | F Minor | 0 | 4A | 77 BPM | ||
| Traces IV | Tigran Hamasyan, Arve Henriksen, Eivind Aarset, Jan Bang | A♭ Minor | 0 | 1A | 133 BPM | ||
| Madame Jam | Iiris Viljanen | C Major | 1 | 8B | 114 BPM |