Raghavendra Mayya's ' "Nadesi Kodu" was released on its scheduled release date, March 7, 2022. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Yaksha Madhurya Gayana, Vol. 2 by Raghavendra Mayya. The song's track number on the album is #10 out of 16 tracks. Based on our data, India was the country where this track was produced or recorded. Nadesi Kodu is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Nadesi Kodu by Raghavendra Mayya has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nadesi Kodu being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vishama Kara Kannan | Sri Sri Vittaldas Maharaj | A Minor | 9 | 8A | 155 BPM | ||
| Olidu Baarayya | Puttur Narasimha Nayak | A Major | 4 | 11B | 94 BPM | ||
| Naranaroopadali Harana | Rajkumar | C Minor | 5 | 5A | 82 BPM | ||
| Thalalare Thagani | Shimoga Subbanna | A Minor | 6 | 8A | 131 BPM | ||
| Neerajanam | Dr. M. Balamuralikrishna | F Major | 4 | 7B | 99 BPM | ||
| Shanivaara Banthamma | Puttur Narasimha Nayak, B. R. Chaya, K.S. Surekha, R. Shamitha | A Major | 5 | 11B | 122 BPM | ||
| Pandu Vinnoar Kulam Vaazha Puranthu | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Baaraneke Maarajanaka | Raghavendra Mayya | F Major | 3 | 7B | 117 BPM | ||
| Thappugalella Pariharisuva | Anantha Kulkarni | D♭ Major | 4 | 3B | 129 BPM | ||
| Karunanidi Avadarisu | Raghavendra Mayya | E Major | 4 | 12B | 65 BPM | ||
| Ganesha Ganesha Ennri | Rajesh Krishnan | C Major | 5 | 8B | 165 BPM | ||
| Yenagado Yenagado | Chennaveera Gavayi | D Major | 5 | 10B | 112 BPM | ||
| Sri Banashankari Suprabhatha | Bangalore Sisters, Narsihma Nayak, Vijay Aras, Purushotham, Anuradha Bhat | D Minor | 6 | 7A | 85 BPM | ||
| Tande Neene | Puttur Narasimha Nayak, Kumari Sneha | A♭ Major | 6 | 4B | 145 BPM | ||
| Danavantaka | Raghavendra Mayya | C Major | 2 | 8B | 90 BPM | ||
| Dolayam Chala | Surya, Talapakka Sri Annamacharya, N.S. Prakasa Rao | D♭ Major | 5 | 3B | 166 BPM | ||
| Sharanu Siddhi Vinayaka | Spoorthi Rao | E♭ Major | 6 | 5B | 134 BPM | ||
| Potriyen Vaalmuthal | Pon Sundaralingam | B♭ Major | 2 | 6B | 85 BPM | ||
| Kaimaru Koduthal | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Kateelu Suprabatha | B. R. Chaya | F Minor | 8 | 4A | 130 BPM | ||
| Hari Sarbhatoma | Bellur Sisters | A♭ Minor | 5 | 1A | 134 BPM | ||
| Dasadhamma Sutta | Zen Habits | D♭ Major | 1 | 3B | 86 BPM | ||
| Jai Vaarahi | Veeramani Kannan | D Major | 5 | 10B | 120 BPM | ||
| Sri Nrusimha Mruthimjaya Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | E Minor | 4 | 9A | 115 BPM | ||
| Santana Prapaitti Vigneshwara Stotram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 4 | 7B | 147 BPM |