"Advent-Motette Op. 176: III. Ad te levavi" by Josef Rheinberger, Vocalensemble Rastatt, Holger Speck had its release date on February 1, 2003. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Advent-Motette Op. 176: III. Ad te levavi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josef Rheinberger, Vocalensemble Rastatt, Holger Speck's "Josef Gabriel Rheinberger: Christus factus est (Musica sacra VII)" album is number 7 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Advent-Motette Op. 176: III. Ad te levavi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Advent-Motette Op. 176: III. Ad te levavi by Josef Rheinberger, Vocalensemble Rastatt, Holger Speck to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | C Major | 1 | 8B | 76 BPM | ||
| Sonata No. 8: II. Intermezzo | Josef Rheinberger, Barry Rose | E Major | 0 | 12B | 140 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": IV. Sanctus | Josef Rheinberger, Martin Baker, Westminster Cathedral Choir | E♭ Major | 2 | 5B | 131 BPM | ||
| Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IIIb. Chorus. Glorie, Lob, Ehr und Herrlichkeit | Johann Sebastian Bach, Sébastien Daucé, Ensemble Correspondances, Sebastian Myrus | E Minor | 2 | 9A | 178 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
| Lotti : Crucifixus a 8 | Antonio Lotti, Edward Higginbottom | C Minor | 1 | 5A | 178 BPM | ||
| Behold, How Good and Joyful a Thing It Is | Thomas Wilson, The Choir of Peterhouse, Cambridge, Simon Jackson | C Major | 1 | 8B | 171 BPM | ||
| 6 Gesange, Op. 131: No. 6, Gute Nacht | Josef Rheinberger, Estelí Gomez, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie | F Major | 0 | 7B | 79 BPM | ||
| St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 54, O Sacred Head Surrounded by Crown of Piercing Thorn! [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | F Major | 1 | 7B | 176 BPM | ||
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Parce mihi, Domine a 8 | Francisco Garro, Cupertinos, Luís Toscano | F Major | 0 | 7B | 79 BPM | ||
| Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 74 BPM | ||
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
| Hymnus Eucharisticus | The Choir of Magdalen College, Oxford, Mark Williams | A Minor | 2 | 8A | 106 BPM | ||
| Organ Concerto No. 2 in G Minor, Op. 177: I. Grave | Josef Rheinberger, Paul Skevington, Ama Deus Orchestra, Timothy Rowe | G Major | 1 | 9B | 73 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | F Major | 0 | 7B | 79 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Hymnen, Op. 140: V. Angelus suis | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 102 BPM | ||
| Daughter of the Vine (2024) | Diederik van der Laag, Oleksii Shamrytskyi, Sophia Chamber Choir | E Minor | 1 | 9A | 69 BPM | ||
| Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 0 | 10B | 84 BPM | ||
| Osculetur me osculo à 8 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | D Minor | 1 | 7A | 135 BPM | ||
| Mass for Double Choir: Agnus Dei | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Minor | 0 | 9A | 76 BPM |