"Vespers, Op. 37: IX. Blessed Be the Lord" by Sergei Rachmaninoff, Victor Rumyantsev, Valery Polyansky, The USSR Ministry of Culture Chamber Choir had its release date on January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Rachmaninoff: Vespers, Op. 37 (Live)". In this album, this song's track order is #9. In terms of popularity, Vespers, Op. 37: IX. Blessed Be the Lord is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vespers, Op. 37: IX. Blessed Be the Lord by Sergei Rachmaninoff, Victor Rumyantsev, Valery Polyansky, The USSR Ministry of Culture Chamber Choir having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sacred Concerto No. 4, "Make a joyful noise unto the Lord": II. All the earth shall worship thee | Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky | A Major | 0 | 11B | 120 BPM | ||
| Messe vidi turbam magnam: No. 5, credo | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 142 BPM | ||
| Repentance of the Prodigal Son | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Palestrina: Missa Papae Marcelli - 1b. Christe Eleison | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 128 BPM | ||
| All-night Vigil, Op. 37, "Vespers": Lobe den Herrn, meine Seele | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | C Major | 1 | 8B | 88 BPM | ||
| Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
| Phoenix | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | A Major | 0 | 11B | 77 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| All-Night Vigil, Op. 37: V. Lord, Now Lettest Thou Thy Servant Depart in Peace | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Frank Fleschner | F♯ Major | 1 | 2B | 75 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| Requiem: XIV. Requiem | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Michael Schröder, Sven Gätjens, Eunsol Hong, Yang-Hung Huang | F Major | 0 | 7B | 132 BPM | ||
| Byrd : Ave verum corpus | William Byrd, Edward Higginbottom | G Minor | 1 | 6A | 127 BPM | ||
| Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM | ||
| All-night Vigil, Op. 37: We praise thee | Sergei Rachmaninoff, Juhani Viskari, Cantores Minores Ensemble, Filip Hayrynen | A♭ Major | 2 | 4B | 133 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 74 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Palestrina: Missa Papae Marcelli - 4d. Benedictus | The Tallis Scholars, Peter Phillips | B Major | 0 | 1B | 71 BPM | ||
| S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 1 | 8A | 133 BPM | ||
| Vespers (All-Night Vigil), Op.37: 3. "Blazhen muzh" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 0 | 7B | 104 BPM | ||
| Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | F Major | 1 | 7B | 176 BPM | ||
| Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name | Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir | G Major | 1 | 9B | 92 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): With Your Virgin Mother's Intercession | Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 83 BPM |