山本直純's '『男はつらいよ 寅次郎あじさいの恋』M-27 柴又のテーマ' had a release date set for July 31, 2019. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 「男はつらいよ サウンドトラック・ベスト」 (サウンドトラック), so we believe that "『男はつらいよ 寅次郎あじさいの恋』M-27 柴又のテーマ" is a single. In terms of popularity, 『男はつらいよ 寅次郎あじさいの恋』M-27 柴又のテーマ is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 『男はつらいよ 寅次郎あじさいの恋』M-27 柴又のテーマ by 山本直純 is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| サバの女王 | ニュー・ポール・モーリア・グランド・オーケストラ | F Major | 3 | 7B | 101 BPM | ||
| マラゲーニャ | パーシー フェイス | F Major | 3 | 7B | 115 BPM | ||
| メモリー - 「キャッツ」より | ピエール・ポルト・オーケストラ | A♭ Major | 6 | 4B | 131 BPM | ||
| 月夜愁 Moonlight Melancholy | 李泰祥 | G Major | 1 | 9B | 90 BPM | ||
| NHK 日本映像の20世紀 | Akira Senju | C Major | 3 | 8B | 86 BPM | ||
| アルプスの牧場 | 灰田勝彦 | D Major | 4 | 10B | 118 BPM | ||
| Crystal Breeze | Johnny Pearson | A♭ Major | 2 | 4B | 77 BPM | ||
| Entre le ciel et la mer | André Popp | F Major | 5 | 7B | 97 BPM | ||
| Vieni Sul Mar | Al Caiola | G Major | 4 | 9B | 146 BPM | ||
| 栄光への脱出 「栄光への脱出」より | Royal Pops Orchestra | B♭ Major | 3 | 6B | 100 BPM | ||
| 第三の男 | アントン・カラス | E Minor | 9 | 9A | 141 BPM | ||
| Take The "A" Train | Annunzio Paolo Mantovani | E♭ Major | 3 | 5B | 133 BPM | ||
| La vida inesperada | Gabriel Andrés Gallegos, Budapest Art Orchestra | G Major | 1 | 9B | 179 BPM | ||
| 白い恋人たち(オーケストラ) | フランシス・レイ | G Minor | 3 | 6A | 100 BPM | ||
| トゥー ラブ アゲイン | カーメン キャバレロ | E♭ Major | 4 | 5B | 63 BPM | ||
| 100年の物語 ~カムカムエヴリバディのテーマ~ | 金子 隆博, Sadao Watanabe | F Major | 6 | 7B | 154 BPM | ||
| 黒い瞳のナタリー | 羽田健太郎 | C Major | 3 | 8B | 109 BPM | ||
| 必殺仕掛人 春雪仕掛針 荒野の果てに・インストゥルメンタル ①M30 | Masaaki Hirao | B♭ Minor | 5 | 3A | 135 BPM | ||
| 空港 | 河村利夫 | A♭ Minor | 2 | 1A | 114 BPM | ||
| シェルブールの雨 | オリジナル・サウンド・オーケストラ | G Minor | 4 | 6A | 80 BPM | ||
| L'oiseau Bleu | S.E.N.S. | A Major | 1 | 11B | 74 BPM | ||
| 莫忘今宵 | 上海老百乐门元老爵士乐队 | F Major | 2 | 7B | 99 BPM | ||
| NHKラジオ「ひるのいこい」テーマ音楽 | The Columbia Orchestra | F Major | 2 | 7B | 146 BPM | ||
| Stand Alone | Joe Hisaishi, 麻衣 | D♭ Major | 2 | 3B | 93 BPM | ||
| 峠の幌馬車 | ビリー・ヴォーン楽団 | D Major | 3 | 10B | 124 BPM |