- BPM
- 75
- Key
- D Minor
- Camelot
- 7A
Rahadlakum by Donald Maxwell Song Details
Donald Maxwell's 'Rahadlakum' had a release date set for May 27, 1997. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Original Studio Cast's "Kismet: Complete Recording (First Complete Recording All Star Cast)" album is number 5 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Rahadlakum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Rahadlakum by Donald Maxwell to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -11.087 dB
- Acousticness
- 86%
- Danceability
- 31%
- Energy
- 38%
- Instrumentalness
- 0%
- Liveness
- 70%
- Loudness
- 82%
- Speechiness
- 6%
- Valence
- 24%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le nozze di Figaro, K.492 / Act 3: "Io vi dico, signor" - "Cosa mi narri!" | Wolfgang Amadeus Mozart, Ruggero Raimondi, Lucia Popp, Barbara Hendricks, Donald Maxwell, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 128 BPM | |
 | Die Fledermaus, Act I: No. 4, Trio. So muss allein ich bleiben | Johann Strauss II, Erika Köth, Hilde Gueden, Waldemar Kmentt, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 92 BPM | |
 | Così fan tutte, K. 588 / Act II: "Amico, abbiamo vinto!" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 86 BPM | |
 | Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | |
| Carmen / Act 1: Et la garde descendante | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Walter Hagen-Groll | D Minor | 1 | 7A | 121 BPM | |
 | Die Fledermaus / Act 1: "Komm mit mir zum Souper" | Johann Strauss II, Wolfgang Brendel, Olaf Bär, Wiener Philharmoniker, André Previn | E Major | 2 | 12B | 104 BPM | |
 | Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | The Dream of Gerontius, Op. 38, Part I: No. 11, Go, in the name of Angels and Archangels (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | |
 | Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | |
| Così fan tutte, K. 588 / Act II: "In qual fiero contrasto" | Wolfgang Amadeus Mozart, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 49 BPM | |
 | Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | |
 | Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" | Gioachino Rossini, Giorgio Giorgetti, Nicola Monti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | G Major | 1 | 9B | 104 BPM | |
 | Great Mass in C Minor, K. 427: II. Gloria: Laudamus te | Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Elionor Martínez, Le Concert Des Nations | D Minor | 1 | 7A | 93 BPM | |
| Così fan tutte, K. 588 / Act II: "Barbara! Perché fuggi?" | Wolfgang Amadeus Mozart, Rolando Villazón, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 3 | 5B | 96 BPM | |
 | The Beggar's Opera, Op. 43, Act II: Such Language, Brother, Anywhere Else - When You Censure the Age (Lockit, Lucy Lockit) | Benjamin Britten, Christian Curnyn, City of London Sinfonia, Donald Maxwell, Sarah Fox | G Minor | 0 | 6A | 90 BPM | |
 | 60e Parallele (60th Parallel): Le passe qui revient, qui remonte a la surface | Philippe Manoury, Jean-Philippe Courtis, Menai Davies, Hedwig Fassbender, Paul Gay, Rie Hamada, Marie Therese Keller, Donald Maxwell, Jean-Marc Salzmann, Ian Thompson, Orchestre de Paris, David Robertson | F♯ Minor | 2 | 11A | 91 BPM | |
 | Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | |
 | Gloria, FP 177: III. Domine Deus | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge, Susan Gritton | C Minor | 2 | 5A | 128 BPM | |
| Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | |
 | Tom Jones: Act II: Song: Love maketh the heart a garden fair (Sophia, Chorus) | Edward German, Marianne Hellgren Staykov, Richard Morrison, Heather Shipp, Donald Maxwell, Simon Butteriss, Richard Suart, Gaynor Keeble, Giles Davies, Paul Carey Jones, Ashley Bremner, Catrine Kirkman, Rachel Harland, Elizabeth Menezes, Iestyn Morris, Timothy Ochala-Greenough, Rachel Chapman, Karen Wise, Annette Stein, National Festival Chorus, National Festival Orchestra, David Russell Hulme | G Minor | 0 | 6A | 69 BPM | |
 | Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | |
| The Dream of Gerontius, Op. 38, Part II: No. 20, Softly and gently, dearly-ransom'd soul (Angel) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | |
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | |
 | Le nozze di Figaro, K.492 / Act 3: "Vedro mentr'io sospiro" | Wolfgang Amadeus Mozart, Thomas Hampson, Metropolitan Opera Orchestra, James Levine | D Major | 2 | 10B | 87 BPM | |
 | Don Giovanni, K. 527: Ah, del padre in periglio | Wolfgang Amadeus Mozart, Edda Moser, Kenneth Riegel, Lorin Maazel | C Major | 1 | 8B | 98 BPM |
- ISRC
- GBDGA0604058
- Label
- L-M Records/RCA Records