- BPM
- 131
- Key
- A♭ Minor
- Camelot
- 1A
Goldberg Variations, BWV 988: Variation 11 by Johann Sebastian Bach, Ragna Schirmer Song Details
"Goldberg Variations, BWV 988: Variation 11" by Johann Sebastian Bach, Ragna Schirmer had its release date on 2000. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variation 11's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 32 in Bach: Goldberg-Variations, BWV 988 by Johann Sebastian Bach, Ragna Schirmer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Goldberg Variations, BWV 988: Variation 11's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Goldberg Variations, BWV 988: Variation 11 by Johann Sebastian Bach, Ragna Schirmer is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.188 dB
- Acousticness
- 99%
- Danceability
- 33%
- Energy
- 17%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | G Major | 1 | 9B | 122 BPM | |
 | Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | |
 | Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM | |
 | Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | |
 | Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | |
 | Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 121 BPM | |
 | 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | |
 | Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | |
 | Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | |
 | Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 103 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | |
 | Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Johann Sebastian Bach, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | |
 | Concerto for Oboe & Violin in C Minor, BWV 1060R: III. Allegro | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 4 | 5A | 111 BPM | |
 | IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Bach / Busoni: Toccatas and Fugues, BV B29: No. 1, Toccata and Fugue in C Major: Adagio (After Bach's BWV 564) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | D Minor | 1 | 7A | 65 BPM |
- ISRC
- DEH840700431
- Label
- L-M Records/RCA Records