Colin Pritchard's ' "Harrigan" was released on its scheduled release date, January 1, 2008. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Harrigan's duration is considered a little bit shorter than the average duration of a typical track. This song is part of You're a Grand Old Rag - The Music of George M. Cohan by Paragon Ragtime Orchestra. The song's track number on the album is #7 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Harrigan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Harrigan by Colin Pritchard has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Harrigan being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude | Cole Porter, The "Anything Goes" 1989 Orchestra | E♭ Major | 2 | 5B | 115 BPM | ||
| I'm Calm | Jack Gilford | B Minor | 1 | 10A | 94 BPM | ||
| The Advantages of Floating in the Middle of the Sea | Mako, Pacific Overtures Ensemble | B Minor | 2 | 10A | 118 BPM | ||
| Springtime for Hitler - Part II | Mel Brooks, Various Artists, Gary Beach, Bryn Dowling, Meg Gillentine, Nathan Lane, Matthew Broderick, Will Ferrell, Roger Bart, Uma Thurman, John Barrowman, Patrick S. Brady | A Major | 6 | 11B | 86 BPM | ||
| The Mikado / Act 2: 27. A more humane Mikado never did in Japan exist | Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | A Major | 3 | 11B | 98 BPM | ||
| Sighing Softly to the River | The Pirates Of Penzance | F Major | 2 | 7B | 125 BPM | ||
| Oom Pah Pah | West End Performers | D Major | 5 | 10B | 170 BPM | ||
| Sunny Side Up | Chick Endor | F Major | 2 | 7B | 120 BPM | ||
| Mrs Worthington | Noel Coward | E♭ Major | 2 | 5B | 137 BPM | ||
| I Am Listening | Colin Pritchard | G Major | 3 | 9B | 74 BPM | ||
| A Secretary Is Not a Toy | Paul Reed, How to Succeed in Business Without Really Trying Ensemble | F Major | 4 | 7B | 110 BPM | ||
| Cabaret: Finale | John Kander, Cabaret Ensemble, Harold Hastings | D Major | 2 | 10B | 83 BPM | ||
| Varsity Drag | Abe Lyman's California Orchestra | A♭ Major | 4 | 4B | 120 BPM | ||
| Row Row Row | Cast of Oh What A Lovely War, John Yap, Sophie Marchant | E♭ Major | 5 | 5B | 130 BPM | ||
| Let the Rest of the World Go By | Elizabeth Spencer, Charles Hart | G Major | 2 | 9B | 74 BPM | ||
| 1776: Is Anybody There? | Sherman Edwards, William Daniels, Peter Howard | C Minor | 3 | 5A | 92 BPM | ||
| Hello! Ma Baby - Remastered | Arthur Collins | B Major | 1 | 1B | 128 BPM | ||
| Consider Yourself | Michael Goodman, Bruce Prochnik, Oliver! Ensemble | C Major | 2 | 8B | 136 BPM | ||
| 9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| Those Were the Good Old Days | Ray Walston | D♭ Minor | 2 | 12A | 124 BPM | ||
| Gone With the Wind | Horace Heidt & His Musical Knights, Larry Cotton | E♭ Major | 2 | 5B | 140 BPM | ||
| 1776: Sit Down, John | Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard | A♭ Major | 4 | 4B | 98 BPM | ||
| The lost chord - 1970 Recording | Arthur Sullivan, Stuart Burrows, John Constable | F Major | 2 | 7B | 79 BPM | ||
| Penny in My Pocket | David Hyde Pierce | G Major | 5 | 9B | 150 BPM |