On May 18, 2020, the song "Police Wala Lath" was released by Arjun Rana. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. Since Police Wala Lath only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Police Wala Lath is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Police Wala Lath by Arjun Rana having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pyar Gori Kab Karbu | Radhe Shyam Rasiya, Sarmista | F♯ Major | 6 | 2B | 75 BPM | ||
| Panchuji Wali Pihar | Hemraj Saini | A Major | 9 | 11B | 172 BPM | ||
| Dj Mara Mandana Meet | Nitin Barot, Kavita Das | D♭ Major | 10 | 3B | 108 BPM | ||
| Badhai Mat Kar Man Me Gela | Shyam Paliwal | B Minor | 10 | 10A | 140 BPM | ||
| Harsiddhi Maa No Majboot Vegra | Alkesh Kapadvanj | B Major | 5 | 1B | 99 BPM | ||
| Namtu Aapishu To Amane Thakor Kon Kese | Dilip Thakor | E♭ Major | 10 | 5B | 143 BPM | ||
| Hath Kon Zor De Milya Ta Ha | Bashir Jatoi | D♭ Major | 10 | 3B | 115 BPM | ||
| Vaje Veragi Dhol Momaji | Ramesh Dewasi, Chhagan Dewasi | F Minor | 7 | 4A | 80 BPM | ||
| Vonkdi Muchala Moma Veer - Momaji Bhajan | Viru Nehad | C Minor | 7 | 5A | 80 BPM | ||
| Mere Yaar Ab To Aaja | Arshad Kamli | B Minor | 10 | 10A | 140 BPM | ||
| Bapa Bajrangdas Vina Bagdana | Farida Mir | B♭ Major | 9 | 6B | 160 BPM | ||
| Dil Samji Ja Ne | Rahul Thakor | A Minor | 9 | 8A | 144 BPM | ||
| Prem Chando Gudiya | Prakash Gandhi, Pushpa Sankhla | A♭ Minor | 5 | 1A | 70 BPM | ||
| Sanwariya Modo Aayo Re | Mukesh Mahadeva | A♭ Minor | 7 | 1A | 104 BPM | ||
| Mahara Hanshla Re | Mahaveer Sankhla | F Minor | 9 | 4A | 122 BPM | ||
| Main Thane Sivaru Gajanand Deva | Viru Nihad, Rekha Parmar | F Major | 5 | 7B | 84 BPM | ||
| Ek Taraf Ba Jaan Ho | Alok Kumar | D♭ Major | 10 | 3B | 75 BPM | ||
| Devnarayan Aaya Pavana | Arjun Rana | B Minor | 10 | 10A | 140 BPM | ||
| Aha Bisari Gelau Dani | Dilip Darbhangiya | B Major | 4 | 1B | 148 BPM | ||
| Do Haar Banaye | Abhishek Soni | F Minor | 6 | 4A | 80 BPM | ||
| Mera Bhi Chota Sa Aagan Hoga Shyam Slone Ka Mandir Hoga | Bhagwat Suthar | D Minor | 5 | 7A | 147 BPM | ||
| Fakiri Jeevit Dhake Masaan | Prem Nath | B Minor | 10 | 10A | 140 BPM | ||
| Hariyo Rumal | Kalu Gurjar, Arjun Rana | F Minor | 10 | 4A | 107 BPM | ||
| Police Wala Lath | Arjun Rana | F♯ Major | 7 | 2B | 93 BPM | ||
| Chamunda Maa No Aalap | JK Timba | B♭ Major | 9 | 6B | 88 BPM |