"He's In the Street" by Alan Howarth had its release date on October 21, 1988. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alan Howarth's "Hallowen 4: The Return of Michael Myers (Original Motion Picture Soundtrack)" album is number 5 out of 15. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, He's In the Street's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of He's In the Street by Alan Howarth to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Terrifier Theme | Paul Wiley | D Major | 9 | 10B | 120 BPM | ||
| March to the Altar | Terrortron | D Major | 5 | 10B | 100 BPM | ||
| Bestiality | Alan Howarth, Larry Hopkins | B Major | 3 | 1B | 107 BPM | ||
| The Prodigal Son Brings Death | Edgar Rothermich | C Minor | 4 | 5A | 112 BPM | ||
| Opening Credits | Terrortron | D Major | 6 | 10B | 110 BPM | ||
| Creepy Hospital Ambient Sounds | Haunting Ambience, Creepy Night Sounds, Spooky Atmosphere | F Minor | 4 | 4A | 67 BPM | ||
| Possessor | Jim Williams | D Minor | 0 | 7A | 72 BPM | ||
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| House on Sorority Row (Main Title) | Richard Band | B♭ Major | 0 | 6B | 151 BPM | ||
| Attack | Elmer Bernstein | A Minor | 1 | 8A | 61 BPM | ||
| Raptus | Mark Snow | E Minor | 3 | 9A | 79 BPM | ||
| Haunted Sequence | Rob | G Major | 5 | 9B | 115 BPM | ||
| Bucket of Blood - Excerpt from Carrie | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Logo-Bakersfield - Full-Length Version | Harold Faltermeyer | E Major | 4 | 12B | 129 BPM | ||
| Main Titles | Richard Band | A Minor | 2 | 8A | 59 BPM | ||
| Going In | Marc Streitenfeld | C Major | 0 | 8B | 105 BPM | ||
| President At The Train | John Carpenter, Alan Howarth | E Major | 1 | 12B | 130 BPM | ||
| Haunted | Rob | C Minor | 4 | 5A | 115 BPM | ||
| I Always Watch | Young Slipping | A Minor | 1 | 8A | 67 BPM | ||
| 3 2 1 Start Live | Enje Dell | C Major | 1 | 8B | 100 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| FRIDAY THE 13TH | 101 Strings Orchestra | A Minor | 3 | 8A | 79 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Death | Mica Levi | D Minor | 2 | 7A | 64 BPM | ||
| Main Titles | J. Peter Robinson, Michael Hoenig | B♭ Major | 3 | 6B | 78 BPM |