- BPM
- 120
- Key
- A♭ Major
- Camelot
- 4B
Gawain, Act I (1994 Revised Version): Tableau IIIb. Summer. Night. Here Is Your Second Flesh [Live] by Harrison Birtwistle, John Marsden, Alan Ewing, Orchestra Of The Royal Opera House, Kevin Smith, Richard Greager, Penelope Walmsley-Clark, Omar Ebrahim, Marie Angel, Royal Opera Chorus, Elgar Howarth Song Details
"Gawain, Act I (1994 Revised Version): Tableau IIIb. Summer. Night. Here Is Your Second Flesh [Live]" by Harrison Birtwistle, John Marsden, Alan Ewing, Orchestra Of The Royal Opera House, Kevin Smith, Richard Greager, Penelope Walmsley-Clark, Omar Ebrahim, Marie Angel, Royal Opera Chorus, Elgar Howarth had its release date on August 5, 2014. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 26 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Gawain, Act I (1994 Revised Version): Tableau IIIb. Summer. Night. Here Is Your Second Flesh [Live]'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Gawain, Act I (1994 Revised Version): Tableau IIIb. Summer. Night. Here Is Your Second Flesh [Live] by Harrison Birtwistle, John Marsden, Alan Ewing, Orchestra Of The Royal Opera House, Kevin Smith, Richard Greager, Penelope Walmsley-Clark, Omar Ebrahim, Marie Angel, Royal Opera Chorus, Elgar Howarth to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
Music Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.889 dB
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 37%
- Instrumentalness
- 0%
- Liveness
- 83%
- Loudness
- 72%
- Speechiness
- 6%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eine Alpensinfonie, Op. 64, TrV 233: XVIII. Stille vor dem Sturm | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | B♭ Major | 3 | 6B | 147 BPM | |
 | Threni: De Elegia Prima | Igor Stravinsky, Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss, Guy Cutting, Thomas Walker | E♭ Minor | 0 | 2A | 89 BPM | |
 | Preludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | B Minor | 1 | 10A | 79 BPM | |
 | Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | |
 | Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | |
 | Concerto for 2 Pianos and Orchestra: III. Fuga chromatica - Allegro | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D Minor | 3 | 7A | 77 BPM | |
 | Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 71 BPM | |
 | The Soldier's Tale, Pt. 1: II. Music for Scene 1. Airs by a Stream | Igor Stravinsky, George Benjamin, Harrison Birtwistle, Dame Harriet Walter, Royal Academy of Music Manson Ensemble, Oliver Knussen | G Major | 1 | 9B | 95 BPM | |
 | Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | |
 | Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | E♭ Minor | 0 | 2A | 89 BPM | |
 | Four Interludes For A Tragedy | Peter Zinovieff, Harrison Birtwistle | E♭ Minor | 0 | 2A | 89 BPM | |
 | L'Oiseau de feu, K10: III. Apparition de l’oiseau de feu, poursuivi par Ivan Tsarevitch | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | E Minor | 1 | 9A | 81 BPM | |
 | 7 Haikus: II. Assai mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | |
 | Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | |
 | String Quartet No. 14 in F-Sharp Major, Op. 142: III. Allegretto | Dmitri Shostakovich, Cuarteto Casals | E♭ Minor | 0 | 2A | 89 BPM | |
 | Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | |
 | Resolution, Op. 25 | Alan Bush, BBC Philharmonic, Rumon Gamba | E♭ Minor | 0 | 2A | 89 BPM | |
 | Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | |
 | Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato | Béla Bartók, Belcea Quartet | F♯ Major | 1 | 2B | 89 BPM | |
 | Peter Grimes, Op. 33 / Act 1: Interlude II: The Storm | Benjamin Britten, Elizabeth Bainbridge, Patricia Payne, Jonathan Summers, John Dobson, Teresa Cahill, Anne Pashley, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Minor | 4 | 9A | 76 BPM | |
| Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | |
 | String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | |
 | The Exterminating Angel Symphony: I. Entrances | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | C Major | 2 | 8B | 88 BPM | |
 | Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | |
| Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | E♭ Minor | 0 | 2A | 89 BPM |
- ISRC
- GBCML1420026
- Label
- L-M Records/RCA Records