Cottrau Teodoro, Palardi Matteo, Mario Lanza's 'Santa Lucia' had a release date set for December 19, 1948. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Santa Lucia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario Lanza's "Just Her" album is number 39 out of 44. On top of that, Germany appears to be the country where this track was created. Santa Lucia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Santa Lucia by Cottrau Teodoro, Palardi Matteo, Mario Lanza to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spring In My Heart | Deanna Durbin | C Major | 4 | 8B | 91 BPM | ||
| Canta pe' me - Redbook Stereo | Libero Bovio, Mario Lanza, Franco Ferrara | B♭ Major | 4 | 6B | 86 BPM | ||
| Come Back To Sorrento | Mario Lanza | E Major | 3 | 12B | 113 BPM | ||
| A High, Holy Calling God's Given | Hidden Treasures Music, Ståle Risnes, Mary-Lee Jacquier | A♭ Major | 5 | 4B | 87 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
| Danny Boy | Deanna Durbin | E♭ Major | 3 | 5B | 128 BPM | ||
| My Fair Lady, Act I Scene 8: On the Street Where You Live | Frederick Loewe, Sinfonia Of London, John Wilson, Laurence Kilsby, Charlotte Kennedy, Julia McKenzie | G Major | 2 | 9B | 82 BPM | ||
| Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
| Luisa Fernanda, Acto i: Romanza de Javier | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | E♭ Minor | 3 | 2A | 97 BPM | ||
| One Day When We Were Young | Richard Strauss, David Gray, Tommy Tycho | D♭ Major | 4 | 3B | 84 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | ||
| Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
| Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM | ||
| Amapola | Alfredo Kraus | A♭ Major | 5 | 4B | 87 BPM | ||
| Der Zigeunerbaron, IJS 486: Wer uns getraut | Johann Strauss II, Rudolf Schock, Erzebeth Hazy, Robert Stolz | D Major | 3 | 10B | 100 BPM | ||
| The Mikado: Three Little Maids | Jean Rigby | C Major | 2 | 8B | 128 BPM | ||
| Barcarolle Tales Of Hoffman : Belle Nuit (Life Is Beautiful) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | ||
| Towards the Pinnacle, Poem for Soprano & Orchestra, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Emilia Petrescu | D Major | 6 | 10B | 110 BPM | ||
| Porter: Kiss Me, Kate, Act 2: "So in Love" (Fred) | Cole Porter, John McGlinn, Thomas Hampson, London Sinfonietta | A♭ Major | 5 | 4B | 87 BPM | ||
| Tace Il Labbro T'Amo | F. Lehar - V. Leon - L. Stein - F. Fontana - L. Ramo, Cesare Gallino | G Major | 2 | 9B | 87 BPM | ||
| Dicitencello Vuje | Franco Corelli | A♭ Major | 5 | 4B | 87 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| (Finale) Canzone Per Loretta / Gioventu Mia, Tu Non Sei Morta | Dick Hyman, Dominic Cortese | G Major | 3 | 9B | 100 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM |