Franco Corelli's 'Dicitencello Vuje' had a release date set for January 9, 1955. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 36 in Bella Napoli by Franco Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Dicitencello Vuje's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dicitencello Vuje by Franco Corelli is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ti voglio tanto bene | Orchestra, Franco Corelli, Raffaele Mingardo | C Major | 2 | 8B | 90 BPM | ||
| Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
| Cavalleria rusticana: Mamma, quel vino e generoso | Pietro Mascagni, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | A♭ Minor | 3 | 1A | 133 BPM | ||
| Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
| I' Te Vurria Vasa! | Franco Corelli | F Major | 3 | 7B | 129 BPM | ||
| Roméo et Juliette (1994 - Remaster), Act I: Enfin la place est libre amis! | Charles Gounod, Henri Gui/Franco Corelli/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Alain Lombard, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B Major | 2 | 1B | 109 BPM | ||
| Bellini: Norma, Act 1: "Va, crudele" (Pollione, Adalgisa) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Christa Ludwig, Franco Corelli | F Minor | 2 | 4A | 95 BPM | ||
| Romeo and Juliette, Act II: L'amour! l'amour | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | B♭ Major | 1 | 6B | 84 BPM | ||
| Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
| La Chulapona: "Ese Pañuelito Blanco" | Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal | D♭ Major | 4 | 3B | 82 BPM | ||
| 'O surdato 'nnammurato | Orchestra, Franco Ferraris, Franco Corelli | F Major | 4 | 7B | 125 BPM | ||
| D'Hardelot / Arr. Schifrin: A Tribute to Hollywood: Because (Live) | Guy d'Hardelot, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | D Major | 3 | 10B | 86 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
| Puccini: La bohème, Act 3: "Mimì?!...Speravo di trovarvi qui" (Marcello, Mimì) | Giacomo Puccini, Rolando Panerai, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A Major | 0 | 11B | 76 BPM | ||
| Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | ||
| Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Tu, Ca Nun Chiagne! | Franco Corelli | F Major | 3 | 7B | 129 BPM | ||
| Non ti scordar di me (Orch. G. Chiaramello) | Ernesto de Curtis, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 2 | 7B | 85 BPM | ||
| Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | F Major | 3 | 7B | 129 BPM | ||
| Gounod: Roméo et Juliette, Act 3: "Le Duc! Le Duc !" (Chœur, Capulet, Roméo, Stéphano, Benvolio, Pâris, Gregorio, Le Duc) | Charles Gounod, Alain Lombard, Christos Grigoriou, Chœur du Théâtre national de l'Opéra de Paris, Claude Cales, Éliane Lublin, Franco Corelli, Maurice Auzeville, Pierre Thau, Yves Bisson, Orchestre du Théâtre National de l'Opéra Paris | C Minor | 3 | 5A | 86 BPM | ||
| Lucia di Lammermoor / Act 1: Regnava nel silenzio | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | A Minor | 1 | 8A | 169 BPM | ||
| Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 4 | 11B | 98 BPM |