Falcom Sound Team jdk's 'One-Way to the Netherworld' had a release date set for November 15, 2017. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Legend of Heroes: Sen No Kiseki III Original Soundtrack Second, Vol. (2)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Japan. Based on our statistics, One-Way to the Netherworld's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With One-Way to the Netherworld by Falcom Sound Team jdk having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Decisive Collision | Falcom Sound Team jdk | A♭ Major | 10 | 4B | 150 BPM | ||
| A Contest Of Aeons | Junya Nakano | D Major | 10 | 10B | 96 BPM | ||
| Le Grand Jeu | RYO | D Minor | 8 | 7A | 95 BPM | ||
| 届かぬ翼 | 下村 陽子 | D Major | 4 | 10B | 86 BPM | ||
| The Path of Duty | Yasunori Nishiki | E Minor | 8 | 9A | 172 BPM | ||
| 魂の解放者 | Naoshi Mizuta | B♭ Minor | 9 | 3A | 164 BPM | ||
| Noble Execution | Yasunori Nishiki | B♭ Major | 9 | 6B | 152 BPM | ||
| 戦いの鐘 | Revo | C Major | 8 | 8B | 91 BPM | ||
| Strife - Kill or be Killed | Yuzo Koshiro | E Minor | 9 | 9A | 119 BPM | ||
| 「破滅への使者」 from FINAL FANTASY IX - arrange | 河盛慶次 | C Major | 6 | 8B | 135 BPM | ||
| 不死の国 | REVO | A Minor | 4 | 8A | 78 BPM | ||
| 魔犬 ~獣の厄災~ | 芳賀 敬太 | A Minor | 5 | 8A | 100 BPM | ||
| Garuda | 浅野孝已, ATLUS GAME MUSIC | D Major | 9 | 10B | 152 BPM | ||
| Kingdom Outskirts - Calm | はがね | E Major | 9 | 12B | 90 BPM | ||
| Depths of the Soul | Naoshi Mizuta | F Major | 4 | 7B | 160 BPM | ||
| Fight with a Primal Beast | Tsutomu Narita, グランブルーファンタジー | G Major | 5 | 9B | 156 BPM | ||
| Divine Fire | Takeharu Ishimoto | C Minor | 7 | 5A | 75 BPM | ||
| The Sound of the End | 帆足圭吾 | D Minor | 8 | 7A | 112 BPM | ||
| One-Way to the Netherworld | Falcom Sound Team jdk | A♭ Major | 10 | 4B | 145 BPM | ||
| Fabula Nova Crystallis | Masashi Hamauzu | F Major | 3 | 7B | 118 BPM | ||
| Theme of Velvet | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | E Minor | 7 | 9A | 89 BPM | ||
| Unyielding Will | Vanguard Sound, Punishing Gray Raven, FLuoRiTe | F♯ Major | 10 | 2B | 128 BPM | ||
| Junon - Fortified Metropolis - FF7 Rebirth OST Ver. | 植松 伸夫 | A Major | 9 | 11B | 140 BPM | ||
| 顕現/great three | Hideyuki Fukasawa | G Minor | 9 | 6A | 136 BPM | ||
| 心のチャイム(2012 Version) | hil | C Major | 8 | 8B | 130 BPM |