Asha Bhosle, Laxmikant–Pyarelal's ' "Darogaji Chori Ho Gayi" was released on its scheduled release date, February 3, 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Laxmikant–Pyarelal's "Gautam Govinda" album is number 2 out of 4. On top of that, India appears to be the country where this track was created. In terms of popularity, Darogaji Chori Ho Gayi is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Darogaji Chori Ho Gayi by Asha Bhosle, Laxmikant–Pyarelal to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aaise Waise Na Samajh Sajna - With Dialogue | Asha Bhosle, Shatrughan Sinha, Laxmikant–Pyarelal | C Minor | 4 | 5A | 167 BPM | ||
| Main To Diwana | Mukesh, Laxmikant–Pyarelal | C Minor | 5 | 5A | 82 BPM | ||
| Meri Munni Rani So Ja | K. J. Yesudas | C Minor | 3 | 5A | 144 BPM | ||
| Ye Dil Lekar Nazrana | Mukesh, Asha Bhosle | D♭ Major | 10 | 3B | 134 BPM | ||
| Woh Ladki Jab Ghar Se | Pankaj Udhas, Laxmikant–Pyarelal | G Major | 6 | 9B | 90 BPM | ||
| Yeh Dharti Yeh Ambar Jab Se - Pt. 1i | Nalin Dave, Laxmikant–Pyarelal | B Minor | 4 | 10A | 119 BPM | ||
| Sunate Hain Sitare Raat Bhar | Asha Bhosle | G Minor | 5 | 6A | 180 BPM | ||
| Aaya Hoon Badi Door Se | Vipin Sachdeva | F Major | 9 | 7B | 146 BPM | ||
| Jab Jaag Uthe Arman | Hemant Kumar | A Minor | 4 | 8A | 101 BPM | ||
| Ajab Hi Madhuchandrachi Raat | Mahendra Kapoor, Asha Bhosle | A Major | 8 | 11B | 111 BPM | ||
| Chalna Hai Tera Kaam - 2 | Bappi Lahiri | C Major | 7 | 8B | 101 BPM | ||
| Jab Se Huee Hai Shaadi | Amit Kumar | G Major | 7 | 9B | 143 BPM | ||
| Geet Gata Chal | Jaspal Singh | A Major | 6 | 11B | 88 BPM | ||
| Sun Rubia Tumse Pyar Ho Gaya | S. Janaki, Shabbir Kumar, Anu Malik, Amitabh Bachchan | B♭ Minor | 6 | 3A | 142 BPM | ||
| Chal Prem Nagar | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | E Major | 4 | 12B | 160 BPM | ||
| Chanda Mama Se Pyara Mera Mama Happy | Usha Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | A♭ Major | 5 | 4B | 86 BPM | ||
| Balram Ne Bahut Samjhaya | Mohammed Rafi, Asha Bhosle, Dilraj Kaur, Laxmikant–Pyarelal | F Major | 6 | 7B | 123 BPM | ||
| Jane Ham Sadak Ke Logon Se | Mohammed Rafi, Laxmikant–Pyarelal | B♭ Minor | 5 | 3A | 82 BPM | ||
| Main Tere Saath Hoon | Pankaj Udhas | F♯ Major | 4 | 2B | 77 BPM | ||
| Kehna Na Tum Yeh Kisi Se | Salma Agha, Mohammed Aziz | F Minor | 7 | 4A | 134 BPM | ||
| Main Tera Rakhwala | S. P. Balasubrahmanyam | G Minor | 5 | 6A | 82 BPM | ||
| Meri Yaad Aayee | Altaf Raja | A♭ Minor | 5 | 1A | 141 BPM | ||
| Kasam Kya Hoti Hai | Asha Bhosle, Nitin Mukesh | D Major | 6 | 10B | 83 BPM | ||
| Ae Bhai Zara Dekh Ke Chalo | Manna Dey | A♭ Minor | 8 | 1A | 86 BPM | ||
| Mere Mehboob Tujhe Salam | Mohammed Rafi, Asha Bhosle, Laxmikant–Pyarelal | C Minor | 5 | 5A | 139 BPM |