How Beautiful Are the Feet by George Frideric Handel, The New London Chorale, Tom Parker Song Details

George Frideric Handel, The New London Chorale, Tom Parker's 'How Beautiful Are the Feet' had a release date set for 1979. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. How Beautiful Are the Feet's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Young Messiah by George Frideric Handel, The New London Chorale. The song's track number on the album is #8 out of 11 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. How Beautiful Are the Feet is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

Since How Beautiful Are the Feet by George Frideric Handel, The New London Chorale, Tom Parker has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With How Beautiful Are the Feet being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 27%
Loudness: -19.945 dB
Acousticness: 75%
Danceability: 40%
Energy: 16%
Instrumentalness: 1%
Liveness: 15%
Loudness: 67%
Speechiness: 3%
Valence: 39%

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