George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Messiah / Part 3: " Worthy is the Lamb... Amen"' had a release date set for January 1, 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 21 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah / Part 3: " Worthy is the Lamb... Amen" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah / Part 3: " Worthy is the Lamb... Amen" by George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Gloria in D Major, RV 589: VII. Dominie Fili Unigenite | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Major | 3 | 12B | 135 BPM | ||
| O di Betlemme, altera poverta ventu: I. Sinfonia | Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Müller-Brühl | A Major | 0 | 11B | 77 BPM | ||
| The Shepherds' Farewell | Hector Berlioz, The Choir Of Trinity College, Cambridge | E Major | 0 | 12B | 66 BPM | ||
| Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : V. Allegro | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | G Minor | 2 | 6A | 131 BPM | ||
| Hallelujah Chorus | Diane Bish, US Army Brass Quintet | D Major | 1 | 10B | 128 BPM | ||
| Missa Brevis No. 7 In B Major St. Joannis De Deo - Gloria | Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger | A Major | 2 | 11B | 76 BPM | ||
| Messiah: Part 1, And the glory of the Lord shall be revealed (Chorus) | The Sixteen | A♭ Major | 2 | 4B | 39 BPM | ||
| Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
| Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. Chris Hazell: 10. Jesu bleibet meine Freude | Johann Sebastian Bach, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | G Major | 1 | 9B | 80 BPM | ||
| Concerto grosso in F Major, Op. 6, No. 12: I. Preludio: Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 77 BPM | ||
| Air trompette, TWV 41:C1 | Georg Philipp Telemann, John Roderick MacDonald, Martin Stephan | C Major | 3 | 8B | 93 BPM | ||
| Gloria in D Major, RV 589: 1. Gloria in excelsis Deo | Antonio Vivaldi, The English Concert Choir, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 126 BPM | ||
| Wade: Adeste Fideles | John Francis Wade, Andrea Bocelli, Academy Of Choir Art Of Russia, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | G Major | 4 | 9B | 86 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel and Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | ||
| Messiah, HWV 56 / Pt. 3: The Trumpet Shall Sound | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold | D Major | 2 | 10B | 116 BPM | ||
| And With His Stipes We Are Healed - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | F Minor | 1 | 4A | 70 BPM | ||
| Ave Maria, D. 839 | Franz Schubert, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | B♭ Major | 1 | 6B | 68 BPM | ||
| Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Paavo Järvi, Philippe Jaroussky, Orchestre de Paris | B♭ Major | 0 | 6B | 129 BPM | ||
| O Taste and See | Ralph Vaughan Williams, Mary Seers, The Cambridge Singers, John Rutter | A♭ Minor | 0 | 1A | 82 BPM | ||
| Every Valley Shall Be Exalted | The Choir and Orchestra of Pro Christe | E Major | 1 | 12B | 109 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": II. Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 87 BPM | ||
| Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Major | 2 | 8B | 92 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": VI. Pastorale ad libitum: Largo | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | G Major | 0 | 9B | 105 BPM | ||
| The Dettingen Te Deum: II. All The Earth Does Worship Thee | George Frideric Handel, Christopher Tipping, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D♭ Major | 1 | 3B | 124 BPM | ||
| Silent Night, H. 145 (Arr. for Unaccompanied Choir) | Franz Xaver Gruber, The Cambridge Singers, John Rutter | C Major | 1 | 8B | 104 BPM |