"Ave Maria, D. 839" by Franz Schubert, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs had its release date on January 1, 2005. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Sacred Songs (US Bonus Track Version)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Ave Maria, D. 839 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria, D. 839 by Franz Schubert, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anderson: Sleigh Ride | Royal Philharmonic Orchestra | F Major | 3 | 7B | 112 BPM | ||
| The Nutcracker - Waltz of the Flowers | Arthur Fiedler, Boston Pops Orchestra | D Major | 2 | 10B | 169 BPM | ||
| Amazing Grace | Judy Collins | E♭ Major | 3 | 5B | 88 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: Air | Frank Shipway, Royal Philharmonic Orchestra | D Major | 1 | 10B | 78 BPM | ||
| Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
| O Magnum Mysterium | Nordic Chamber Choir - Nicol Matt | D Major | 0 | 10B | 140 BPM | ||
| Schubert: Ave Maria, Op. 52 No. 6, D. 839 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | B♭ Major | 1 | 6B | 176 BPM | ||
| The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
| Turandot / Act 3: Nessun dorma! | Giacomo Puccini, Luciano Pavarotti, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 4 | 10B | 89 BPM | ||
| Lacrimosa - Requiem in D Minor | Lorne Balfe, Russell Emanuel, Steve Kofsky | D Minor | 2 | 7A | 75 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
| La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 0 | 12B | 117 BPM | ||
| Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| Messa da Requiem: Confutatis | Giuseppe Verdi, Elena Filipova, Gloria Scalchi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | F♯ Major | 0 | 2B | 81 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
| The Old Church (From Prairie Songs) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 72 BPM | ||
| Ständchen | Franz Schubert, Yeonsun Joo, Jay JungJae Moon | D Major | 1 | 10B | 62 BPM | ||
| Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | A Minor | 1 | 8A | 87 BPM | ||
| Requiem: III. Tuba Mirum | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea | D♭ Minor | 2 | 12A | 97 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
| The Nutcracker, Op. 71: No. 14, Pas de Deux | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E Minor | 1 | 9A | 65 BPM | ||
| Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
| Requiem: IIh. Ingemisco | Giuseppe Verdi, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 80 BPM |