"Pièce à trois violes en Ré Mineur: III. Sarabande" by Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves had its release date on February 23, 2018. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 16 in Couperin: Pièces de viole by Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Pièce à trois violes en Ré Mineur: III. Sarabande is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pièce à trois violes en Ré Mineur: III. Sarabande by Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forqueray: Pieces for 3 Viols in D Major: II. Courante | Antoine Forqueray, Jerome Hantai/Kaori Uemura/Alix Verzier/Pierre Hantaï | C Minor | 2 | 5A | 71 BPM | ||
| Concert pour quatre parties de violes, H. 545: I. Prélude | Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations | E Major | 1 | 12B | 94 BPM | ||
| Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau, Thomas Dunford | B Minor | 1 | 10A | 83 BPM | ||
| Pièces de viole, Suite No. 4 in G Minor: II. La Clement | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Bibliothèque municipale de Tournus: Prélude in D Minor, Page 2 | Monsieur de Sainte-Colombe, Friederike Heumann | B♭ Minor | 0 | 3A | 97 BPM | ||
| Piece for English Guitar in D Minor: No. 1, Andante - Allegro moderato | Francesco Geminiani, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Minor | 1 | 12A | 112 BPM | ||
| Io veggio i campi verdeggiar fecondi | Francesca Caccini, Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | F Major | 0 | 7B | 72 BPM | ||
| Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Quid sum tibi responsurus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | ||
| Sonates pour le violoncelle avec la basse continue, livre II, sonate No. 2: I. Adagio | Jean Barrière, Bruno Cocset, Les Basses Réunies, Guido Balestracci | F Minor | 1 | 4A | 73 BPM | ||
| Grande Pièce royale, que le Roi demandait souvent | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 123 BPM | ||
| Remerciment De Corelli... - Le Parnasse Ou L'Apotheose De Corelli | Jordi Savall, François Couperin | B♭ Minor | 3 | 3A | 101 BPM | ||
| 12 Trio Sonatas, Op. 2, No. 12 in G Major: I. Ciaccona. Largo - Allegro | Arcangelo Corelli, Eun-Shik Kim, Ryo Terakado, François Guerrier, Kaori Uemura | F♯ Major | 2 | 2B | 122 BPM | ||
| 12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: II. Courante | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 3 | 2B | 126 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Le Concert: Premier air | Mademoiselle Laurant, Sophie de Bardonnèche, Louise Ayrton, Marta Paramo, Clément Batrel-Genin, Hanna Salzenstein, Justin Taylor | F♯ Minor | 1 | 11A | 92 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Pieces de viole, Suite No. 1 in D Minor: VI. La Couperin: Noblement et marque | Antoine Forqueray, Lorenz Duftschmid, Christoph Urbanetz, Thomas Boysen, Johannes Hämmerle | B♭ Minor | 1 | 3A | 68 BPM | ||
| Prélude à 7 cordes | Monsieur de Sainte-Colombe, Hille Perl | D♭ Major | 0 | 3B | 114 BPM | ||
| Concerto grosso No. 5 in D Minor: III. Andante moderato (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 107 BPM | ||
| Pieces de viole, Suite No. 1 in D Minor: II. La Forqueray: Vivement et d'aplomb | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM |