Stewart Copeland's 'The Equalizer Busy Equalizing' had a release date set for 1988. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "The Equalizer & Other Cliffhangers". In this album, this song's track order is #4. Based on our statistics, The Equalizer Busy Equalizing's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Equalizer Busy Equalizing by Stewart Copeland having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Walkabout Bounce | Peter Best | A Major | 7 | 11B | 97 BPM | ||
| Where Has Every Body Gone - 1992 Remaster | Pretenders | G Major | 8 | 9B | 112 BPM | ||
| Leed's House - From "Manhunter" Soundtrack | The Reds | A Minor | 0 | 8A | 119 BPM | ||
| Treadmill | Lee Ritenour, Greg Mathieson | E Minor | 6 | 9A | 86 BPM | ||
| Power to Believe - Instrumental | The Dream Academy | C Minor | 3 | 5A | 117 BPM | ||
| Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
| Debris | Steven Price | A Major | 4 | 11B | 132 BPM | ||
| Abuse - Here | Propaganda | C Major | 10 | 8B | 107 BPM | ||
| Bartertown | Royal Philharmonic Orchestra | A♭ Major | 6 | 4B | 106 BPM | ||
| Hawaii / Amber Sneaks / Richards' Betrayal / Blast Off | Harold Faltermeyer | A♭ Major | 5 | 4B | 122 BPM | ||
| Pam | National Philharmonic Orchestra | G Major | 1 | 9B | 134 BPM | ||
| Spectre - End Title | Thomas Newman | C Minor | 2 | 5A | 160 BPM | ||
| The Goldeneye Overture (Part I: Half Of Everything Is Luck/Part II: The Other Half Is Fate/Part III: For England, James) | Éric Serra | B♭ Minor | 5 | 3A | 99 BPM | ||
| Starman Leaves / End Title | Jack Nitzsche | B♭ Major | 2 | 6B | 105 BPM | ||
| Do the Neurotic | Genesis | F Major | 9 | 7B | 99 BPM | ||
| 4 Billion | Martin Phipps, Benji Merrison | C Minor | 3 | 5A | 117 BPM | ||
| A Pleasant Drive In St. Petersburg | Éric Serra | D Major | 8 | 10B | 120 BPM | ||
| Map And Willie | Dave Grusin | F♯ Minor | 1 | 11A | 172 BPM | ||
| Hide | John Carpenter | C Major | 5 | 8B | 129 BPM | ||
| Wonder | Propaganda | G Major | 7 | 9B | 77 BPM | ||
| Comet Halley | Stellardrone | F Major | 6 | 7B | 102 BPM | ||
| Main Theme - Carter Takes A Train | Roy Budd | C Minor | 3 | 5A | 117 BPM | ||
| Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| Tiger Train | Stewart Copeland | G Major | 8 | 9B | 120 BPM | ||
| Out Of The Ice | William Orbit | A Major | 6 | 11B | 115 BPM |