On February 14, 2020, the song "Get It" was released by R. Sierra, WHOISOMARGEE, G-Zilla, Prado, Ojojieg. This song is quite longer than the average track at 5 minutes and 6 seconds. With that being said, this track is also considered explicit and may be offensive to some people. Because this song is the only song in Get It and no other songs are present in the album, we classify this track as a single. Based on our statistics, Get It's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Get It by R. Sierra, WHOISOMARGEE, G-Zilla, Prado, Ojojieg to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | ||
| Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | D♭ Major | 0 | 3B | 90 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM | ||
| Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation III. Andande sostenuto | Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe | D Major | 0 | 10B | 84 BPM | ||
| Violin Sonata No. 2 in A Major, Op. 100: Allegro amabile | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 100 BPM | ||
| Oboe Sonata, Op. 166: I. Andantino | Camille Saint-Saëns, David Friedemann Strunck, Christian Ihle Hadland | D Major | 0 | 10B | 77 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: II. Menuet | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 1 | 6A | 69 BPM | ||
| Sur l'eau: Sur l’eau (On the Water): Alla barcarolla, moderato | Philippe Gaubert, Fenwick Smith, Sally Pinkas | F♯ Major | 1 | 2B | 77 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas) | Louise Bessette, Marc Djokic | G Minor | 1 | 6A | 132 BPM | ||
| Bartók: 6 Romanian Folk Dances, Sz. 56 (Orch. Székely) | Béla Bartók, Sir Charles Mackerras, Philharmonia Orchestra | D♭ Major | 0 | 3B | 90 BPM | ||
| Piano Concerto No. 2: III. Allegretto vivace | Boris Papandopulo, Oliver Triendl, I Solisti di Zagreb, Sreten Krstic | A♭ Major | 2 | 4B | 114 BPM | ||
| Flute Sonata, Op. 164: II. Cantilena | Francis Poulenc, Patrick Gallois, Lydia Wong | E♭ Minor | 0 | 2A | 66 BPM | ||
| Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D♭ Major | 0 | 3B | 90 BPM | ||
| Day time | R. Sierra | D♭ Minor | 7 | 12A | 140 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| 弦楽のための組曲: 第2楽章: I have a bonnet trimmed with blue/私の青い縁取りのボンネット | 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Pulcinella, K 034: VIII. Minuetto | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
| Ginastera / Transcr. Ducros: Ginastera: Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | E Minor | 1 | 9A | 73 BPM | ||
| Baal shem: 2. Nigun | Ernest Bloch, Tasmin Little, Piers Lane | G Minor | 2 | 6A | 87 BPM |