On September 28, 2021, the song "O Mere Bhaiya Part 6" was released by Rekha Rani. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 12 in Bhajan Kanha Ki Paijaniya by Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, O Mere Bhaiya Part 6 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of O Mere Bhaiya Part 6 by Rekha Rani is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mat Chhedei Rameya Gaada | Dharmej Saundhu, Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Kavan Gajediya Ganja Dihlas | Guddu Rangila | C Major | 6 | 8B | 83 BPM | ||
| 76 ke Kesh | Chand Jee | C Major | 8 | 8B | 130 BPM | ||
| Chumma Lem Bazar Me | Sakal Balamua | D♭ Major | 10 | 3B | 165 BPM | ||
| Behiya Ke Haar Na Paibue | Radhe Shyam Rasiya, Priyanka | B Minor | 5 | 10A | 113 BPM | ||
| Nanhe Saman Tohar | Arvind Akela Kallu Ji, Nisha | D♭ Minor | 3 | 12A | 75 BPM | ||
| Naukri Geya Badi Door | Dharmej Saundhu, Rekha Rani | A Major | 5 | 11B | 160 BPM | ||
| Chamba Sheher - From "Rut Barsala" | Darmaiz Sondhu, Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Gauriya Lekha Saiya | Awadhesh Premi Yadav | A Major | 10 | 11B | 145 BPM | ||
| Ho Neelma Ho Neelma | Nati King Kuldeep Sharma | E♭ Minor | 10 | 2A | 146 BPM | ||
| Chala Gori Odhani Utar Ke | Naresh Vyash, Rekha Rani | F Minor | 7 | 4A | 92 BPM | ||
| Dard Ke Na Ghar Kari | Khesari Lal Yadav | A♭ Major | 8 | 4B | 130 BPM | ||
| Raate Balmuwa Dihle Gari | Pawan Singh, Indu Sonali, Khushboo Jain, Madhukar Anand, Saravjeet Singh, Mamta Raut | C Minor | 9 | 5A | 87 BPM | ||
| Moiniya | Suresh Sharma | A Major | 10 | 11B | 144 BPM | ||
| Tohra La Kehu Jiyela | Karina Pandey | F♯ Major | 7 | 2B | 137 BPM | ||
| BAHIYA ME KASI KE SAIYA | Manish Lal Yadav, Neha Raj | F Major | 10 | 7B | 123 BPM | ||
| Jab Se Earba Hath Ferle | Awadhesh Premi | F Minor | 10 | 4A | 130 BPM | ||
| Chand Ke Paar Le Jaiba Ka | Vicky Raj | A Minor | 10 | 8A | 150 BPM | ||
| Meriya Himachala | Keval Ram Basta | G Minor | 8 | 6A | 78 BPM | ||
| Devre Ke Det Bani | Amit Patel | A♭ Major | 10 | 4B | 145 BPM | ||
| Disco Nati | Thakur Raghubir Singh | B Minor | 10 | 10A | 113 BPM | ||
| Muavahi Ke Rahe Ta | Rekha Rani | B♭ Minor | 6 | 3A | 87 BPM | ||
| Miseer Ji Tu Ta Baada Bada | Kalpana Patowary, Rajnish Mishra | F♯ Minor | 7 | 11A | 172 BPM | ||
| Coaching Ke Bahane Roj Mila Taru Pul Par | Kanhaiya Lal Sahani | A♭ Major | 10 | 4B | 130 BPM | ||
| Jiya Jiya Ho Bihar Ke Lala | Mohan Rathod | D Major | 7 | 10B | 100 BPM |