Bharatkumar Pathak's ' "Hete Hari Ras Pijiye" was released on its scheduled release date, 1986. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Smaran". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. The popularity of Hete Hari Ras Pijiye is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Hete Hari Ras Pijiye by Bharatkumar Pathak having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baso Mere Nainan Mein | Anup Jalota | D♭ Major | 7 | 3B | 93 BPM | ||
| Hanuman Chalisa - Hari Om Sharan | Hari Om Sharan | E♭ Major | 5 | 5B | 102 BPM | ||
| Woh Chandani Ka Badan | Chandan Dass | E♭ Major | 4 | 5B | 141 BPM | ||
| Hey Shiv Shankar Bhole Shambhu | Anuradha Paudwal | C Minor | 7 | 5A | 89 BPM | ||
| Ayodhya Kand - I Part2 | Mukesh, Krishna Kalle, Pushpa Pagdhare, Kamla Sista, Pradeep Chatterjee | D Major | 3 | 10B | 120 BPM | ||
| Mat Kar Moh Too Hari Bhajan Ko Maan Re | Bhimsen Joshi | D♭ Minor | 4 | 12A | 88 BPM | ||
| Baharon Ko Chaman Yaad Aa Gaya Hai | Ghulam Ali | D♭ Major | 4 | 3B | 128 BPM | ||
| Aisi Lagi Lagan | Anup Jalota | B♭ Minor | 6 | 3A | 130 BPM | ||
| Khamma Khamma Khamma Mhare | Suresh Wadkar, Sathi | D♭ Major | 6 | 3B | 114 BPM | ||
| Prayers to the Dust of Vraja, Pt. 6 | Aindra dasa | G Minor | 8 | 6A | 96 BPM | ||
| Bhajan - Pragate Brij Nandlal - Pt Birju Maharaj | Birju Maharaj | A♭ Minor | 1 | 1A | 115 BPM | ||
| Ram Katha Sankshipt Bharat Seo Kapi Keh Daari (From "Lanka Kaand") | Arun Dangle, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Tang Aa Chuke Hai Verse | Mohammed Rafi, S. D. Burman | D Major | 1 | 10B | 80 BPM | ||
| Deenan Dukh Haran Dev Santan Hitkari | Jagjit Singh | C Major | 3 | 8B | 102 BPM | ||
| Shiv Shankar Beda Paar Karo | Hariharan | C Minor | 6 | 5A | 89 BPM | ||
| Shiv Parvati Vivah | Suresh Wadkar, Ravindra Jain, Shankar Mahadevan, Padma Wadkar, Mahalakshmi Iyer, Sadhana Sargam | G Major | 1 | 9B | 113 BPM | ||
| Mujhe De Darshan Girdhari Re | Pujya Bhaishree Rameshbhai Ojha | B♭ Minor | 3 | 3A | 77 BPM | ||
| Kisi Ki Yaad Men | Mohammed Rafi | G Minor | 4 | 6A | 139 BPM | ||
| Hu To Kagadiya Lakhi Lakhi | Diwaliben Bhil | G Major | 3 | 9B | 114 BPM | ||
| Ram Nam Ras Peele Pyare | Chandan Dass | A♭ Minor | 4 | 1A | 82 BPM | ||
| Bhaja Govindam Bhaja Govindam | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 107 BPM | ||
| Daadiyun Bati | Narendra Singh Negi, Anuradha Nirala | D♭ Minor | 4 | 12A | 164 BPM | ||
| Sanwra Mhari Preet Nibhajonji | Lata Mangeshkar | F♯ Major | 2 | 2B | 156 BPM | ||
| Aao Shiv Ka Dhyan Karen | Brahma Kumari | D Major | 6 | 10B | 82 BPM | ||
| Jay Adya Shakti(Aarti) | Anuradha Paudwal, Himanshu Bhatt | D♭ Major | 4 | 3B | 107 BPM |