Rudolf Kattnigg, Rudolf Schock, The Berlin Symphony Orchestra, Werner Schmidt-Boelcke's 'The Prince Of Thule: Juble, Mein Herz' had a release date set for June 29, 2022. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. The Prince Of Thule: Juble, Mein Herz's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 15 in Classical Dream Time, Vol. 7 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Prince Of Thule: Juble, Mein Herz's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Prince Of Thule: Juble, Mein Herz by Rudolf Kattnigg, Rudolf Schock, The Berlin Symphony Orchestra, Werner Schmidt-Boelcke is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bel Ami, Act II: Dialog 8 (Bel Ami, Albert) | Rudolf Kattnigg, Per Grunden, Wolfgang Dauscha | D Minor | 1 | 7A | 66 BPM | ||
| Carmen, Act II: Messieurs les officiers, je vous en supplie – Marche | Georges Bizet, Robert Manuel, Jean-Noel Sissia, Tony Jacquot, Maria Laborit, Isabelle Karajan, Claudine Coster, Alain Hitier, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 1 | 12B | 98 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| La Canción del Olvido: "Canción de Leonello" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Manuel Ausensi | D Major | 4 | 10B | 99 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 12 in D Minor (Arr. for Orchestra by Albert Parlow) | Johannes Brahms, Munich Radio Orchestra, Roberto Abbado | E Major | 4 | 12B | 121 BPM | ||
| Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
| Thine Alone | Kathryn Grayson | B Minor | 2 | 10A | 89 BPM | ||
| Badewannentango | Die jungen Tenöre | C Major | 6 | 8B | 120 BPM | ||
| Dracula - Teil 20 | Dracula | D Major | 3 | 10B | 108 BPM | ||
| Te Deum: Tu Rex gloriae Christie | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 1 | 7B | 112 BPM | ||
| La forza del destino, Act II: Holà (Ballabile) | Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 125 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| La Verbena de la Paloma, Act I: Gigolettes et Don Hilarón (Hilarón, Casta, Susana, Antonia) | Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Ana M. Amengual, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | F Major | 2 | 7B | 102 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 2 | 5B | 83 BPM | ||
| Bel Ami, Act II: Dialog 13 (Bel Ami, Clothilde) | Rudolf Kattnigg, Per Grunden, Christel Mardayn | D Minor | 1 | 7A | 66 BPM | ||
| Britten: Paul Bunyan, Op. 17, Act II, Scene 2: The Christmas Party. "Another slice of turkey" (Chorus, Fido, Moppet, Poppet, Inkslinger, Tiny, Slim, Hel, Shears, Western Union Boy) | Benjamin Britten, Philip Brunelle, Clifton Ware, Dan Dressen, Elisabeth Comeaux, James Bohn, James McKeel, James Westbrock, Janis Hardy, Maria Jette, Sue Herber, Orchestra Of The Plymouth Music Series | D Major | 1 | 10B | 128 BPM | ||
| 240 - Não me cansarei de cantar | Orquestra Sacra | F Major | 5 | 7B | 160 BPM | ||
| Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
| Lamento Di Federico | Francesco Cilea, KIM HOJOONG | A Minor | 2 | 8A | 134 BPM | ||
| Reflective Rhythms | Walko | F Major | 4 | 7B | 88 BPM | ||
| Molinos de Viento: Dúo y serenata: ¿Qué canto... | Marcos Redondo, Delfín Pulido | F Major | 2 | 7B | 76 BPM | ||
| My Fair Lady: Ascot Gavotte (Orchester) | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Friedrich Schoenfelder | G Major | 2 | 9B | 117 BPM | ||
| Balkanliebe: Leise erklingen die Glocken vom Campanile - Remastered | Rudolf Kattnigg, Peter Schreier, Dresdner Philharmonie, Heinz Rögner | E Major | 1 | 12B | 140 BPM |