Rudolf Kattnigg, Per Grunden, Christel Mardayn's 'Bel Ami, Act II: Dialog 13 (Bel Ami, Clothilde)' had a release date set for September 5, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr, Per Grunden, Gerda Scheyrer's "Kattnigg: Bel Ami" album is number 29 out of 38. On top of that, Germany appears to be the country where this track was created. Bel Ami, Act II: Dialog 13 (Bel Ami, Clothilde) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bel Ami, Act II: Dialog 13 (Bel Ami, Clothilde) by Rudolf Kattnigg, Per Grunden, Christel Mardayn to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Künstlerleben | Vienna Volksoper Orchestra | C Major | 3 | 8B | 182 BPM | ||
| Karneval der Tiere - Einzug der Schildkröten | Elmar Gunsch, Nurnberger Symphoniker | B♭ Major | 0 | 6B | 126 BPM | ||
| Nein, länger trag ich nicht | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | E♭ Major | 1 | 5B | 89 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
| Hino 208 - Conserva a Paz, Ó Minha Alma | Orquestra Sacra Paulista | A♭ Major | 1 | 4B | 69 BPM | ||
| Bel Ami, Act III: Dialog 15 (Bel Ami, Albert, Susanna, Rosette, Lebouffe) | Rudolf Kattnigg, Per Grunden, Wolfgang Dauscha, Susanna, Anny Korin, Josef Hübner | D Minor | 1 | 7A | 66 BPM | ||
| Mit 'nem kleenen Stückchen Glück | Hamburg Radio Dance Orchestra | C Major | 4 | 8B | 136 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Com' è gentil la notte a mezzo" (Ernesto, Coro) | Gaetano Donizetti, Riccardo Muti, Ambrosian Opera Chorus, Gösta Winbergh, Philharmonia Orchestra | A Major | 0 | 11B | 70 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| Act II, ii, 7 Grand pas Classique: Opening Mazurka (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| Nabucco / Act II: Tu sul labbro dei veggenti | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 1 | 9B | 125 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: Elojatek | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | C Minor | 4 | 5A | 149 BPM | ||
| Lortzing: Zar und Zimmermann, Act III: 'Holzschuhtanz' | Albert Lortzing, Berliner Symphoniker, Berislav Klobucar | E♭ Major | 1 | 5B | 91 BPM | ||
| Bel Ami, Act II: "Wir bummeln durch die ganze Stadt" (Albert, Bel Ami) | Rudolf Kattnigg, Das grosse Wiener Rundfunkorchester, Max Schönherr, Wolfgang Dauscha, Per Grunden | A Major | 2 | 11B | 123 BPM | ||
| Die Sirene, Polka Mazur, Op. 248 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Ernst Märzendorfer | D Major | 0 | 10B | 114 BPM | ||
| Gegrüßet seist du, Maria!, OP.48 | Rudolf Kattnigg, Klaus Kuchling, Raphael Kasprian, Francka Senk | A♭ Major | 2 | 4B | 79 BPM | ||
| Tosca, Act I: Sommo giubilo, Eccelenza! | Giacomo Puccini, Davide Giangregorio, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: A lanyok, lanyok, a lanyok angyalok [Feri, Boni, Chorus] | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | D Major | 5 | 10B | 96 BPM | ||
| Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
| Carmen / Act 3: Trio: "Mêlons! Coupons!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 114 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Marta's Serenade | The Shabadabas | G Minor | 1 | 6A | 87 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM |