Naushad's 'Introduction - Man Tarapat Hari Darshan' had a release date set for 1998. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Introduction - Man Tarapat Hari Darshan's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Last Journey of Mohammed Rafi". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Introduction - Man Tarapat Hari Darshan is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Introduction - Man Tarapat Hari Darshan by Naushad having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chandana Pallakkil | A. M. Rajah, P. Susheela | A♭ Major | 4 | 4B | 95 BPM | ||
| Tera Hijr Mera Naseeb Hai | Kabban Mirza, Nida Fazli | E Major | 4 | 12B | 97 BPM | ||
| Vande Mukunda Hare | M. G. Radhakrishnan | F Major | 2 | 7B | 151 BPM | ||
| Kuyilene Thedi | Janamma David | D Major | 3 | 10B | 78 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Kasthoori Thailamittu | P. Madhuri, Vayalar Rama Varma | E Major | 2 | 12B | 100 BPM | ||
| Ezhu Sundara Rathrikal | P. Susheela, Vayalar | F Major | 5 | 7B | 101 BPM | ||
| JANE KYA SOCHKAR | Kishore Kumar | D♭ Major | 3 | 3B | 140 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Tori Jai Jai Kartar | Amir Khan | A♭ Major | 4 | 4B | 171 BPM | ||
| Naushad Speaks And Tu Kahe Agar Film - Andaz | Mukesh, Naushad | A Major | 9 | 11B | 196 BPM | ||
| Ram Kare Aisa Ho Jaye | Mukesh, Laxmikant–Pyarelal | F♯ Major | 4 | 2B | 130 BPM | ||
| Bhool Gaye Kyon Deke (From "Anokhi Ada ") | Shamshad Begum, Naushad, Mukesh | B♭ Minor | 4 | 3A | 178 BPM | ||
| Bahe Dheere Dheere Naiya | N. H. Shami, Vinod | D Minor | 6 | 7A | 135 BPM | ||
| Soorya Kireedam | M. G. Radhakrishnan, M. G. Sreekumar | A Major | 2 | 11B | 157 BPM | ||
| Dil E Nadan Tujhe Hua Kya Hai | Suraiya, Talat Mahmood | E Major | 5 | 12B | 105 BPM | ||
| Kattil Elam Kattil | P. Susheela | A♭ Major | 3 | 4B | 78 BPM | ||
| Aur Kya Ahede Wafa - Female Version | R. D. Burman, Asha Bhosle | C Major | 5 | 8B | 159 BPM | ||
| Alliyilam Poovo | Ilaiyaraaja, M. D. Rajendran, Krishnachandran | G Minor | 5 | 6A | 110 BPM | ||
| Mashhur Hai Kasam Se | Naushad | A♭ Minor | 9 | 1A | 146 BPM | ||
| Mizhikond Maathram | Raaza Razaq, Imthiyas Beegum | A Minor | 3 | 8A | 117 BPM | ||
| Dukhi Man Mere | Jagjit Singh | D Major | 2 | 10B | 76 BPM | ||
| Nee Mayalle | Vani Jairam | D♭ Major | 6 | 3B | 77 BPM | ||
| Introduction | Naushad | E Major | 7 | 12B | 174 BPM | ||
| Aag Lagi Dil Me Wo Pyari Gane Lagi (From "Shahjehan") | Naushad | F Major | 8 | 7B | 84 BPM |