Geoff Zanelli, Phill Boucher's ' "All Pain All Gain" was released on its scheduled release date, May 14, 2020. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Rideout". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, All Pain All Gain's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With All Pain All Gain by Geoff Zanelli, Phill Boucher having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| The End | Harald Kloser, Thomas Wander | F Major | 2 | 7B | 102 BPM | ||
| The Devil's Triangle | Geoff Zanelli | E♭ Major | 4 | 5B | 147 BPM | ||
| The Lost Cities | Johannes Bornlöf | E Major | 2 | 12B | 73 BPM | ||
| Land Ahoy | David Arnold | C Minor | 1 | 5A | 94 BPM | ||
| Skydiving | Henry Jackman, Matthew Margeson | D Major | 5 | 10B | 114 BPM | ||
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| Xu Shang-Chi | Joel P West | A Minor | 7 | 8A | 87 BPM | ||
| Humans / Diego | David Newman | G Major | 3 | 9B | 80 BPM | ||
| Alive And Together | Junkie XL | C Major | 1 | 8B | 70 BPM | ||
| Follow Your Feet | Carter Burwell | D Major | 0 | 10B | 87 BPM | ||
| Time to Come Home | Geoff Zanelli | C Major | 1 | 8B | 78 BPM | ||
| The Ninth Legion | Atli Örvarsson | A Minor | 1 | 8A | 74 BPM | ||
| Flight To Avalon - Dragonheart/Soundtrack Version | Randy Edelman | B♭ Major | 3 | 6B | 61 BPM | ||
| Milk and Cookies | Christian Henson | G Minor | 0 | 6A | 152 BPM | ||
| I See Dead People in Boats | Hans Zimmer | D Minor | 1 | 7A | 107 BPM | ||
| Mother | Daniel Pemberton | C Major | 1 | 8B | 75 BPM | ||
| The All Spark | Steve Jablonsky | D Minor | 3 | 7A | 150 BPM | ||
| Robin Speaks | Marc Streitenfeld | D Major | 1 | 10B | 79 BPM | ||
| Cerebro | Henry Jackman | D Major | 2 | 10B | 109 BPM | ||
| Epilogue | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 0 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Evacuating London | Harry Gregson-Williams | E Minor | 2 | 9A | 152 BPM | ||
| Duneagle | John Lunn, The Chamber Orchestra Of London | F♯ Minor | 2 | 11A | 92 BPM |