Ravindra Sathe's 'Maruti Stotram' had a release date set for January 1, 2005. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Maruti Stotram's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sacred Morning Chants – Hanuman". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Maruti Stotram is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Maruti Stotram by Ravindra Sathe having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prabhu Patit Pavan | Arohi Anil Agarkar, Ragreshree Anil Agarkar | E♭ Major | 4 | 5B | 96 BPM | ||
| Narayan Kavacham Kavach Paath | Bhagwat Acharya Shri Venu Gopal Swamiji | A♭ Major | 1 | 4B | 66 BPM | ||
| Kunjika Stotram | Prem Prakash Dubey | F♯ Major | 7 | 2B | 142 BPM | ||
| Radha Raman Mere Ghar Aavenge | Harinaam Das | E Minor | 9 | 9A | 111 BPM | ||
| Mere Ghar Ram Aaye Hain | Jubin Nautiyal, Payal Dev, Manoj Muntashir | F Minor | 8 | 4A | 128 BPM | ||
| Evening Aarti - Sukhkarta Dukhharta | Chorus | D♭ Major | 5 | 3B | 202 BPM | ||
| Bharat Ka Baccha Baccha Jai Shree Rambole Ga | Pooja Golhani | F♯ Major | 8 | 2B | 147 BPM | ||
| Gan Gan Ganaat Bote - Mantra | Ravindra Sathe | A♭ Minor | 6 | 1A | 109 BPM | ||
| Kanada Raja Pandharicha | Mahesh Kale | D Minor | 8 | 7A | 115 BPM | ||
| Mara Ghatma Birajata Shrinathji | Ashit Desai, Hema Desai | D Major | 7 | 10B | 83 BPM | ||
| Jhupat Jhupat Aabe | Dukalu Yadav | D♭ Minor | 8 | 12A | 80 BPM | ||
| Bhumija Janaki Janak Suta Sita | Music Temple | B♭ Minor | 9 | 3A | 114 BPM | ||
| Raghupati Raghav | Baal Gopal, Hladini | A Major | 3 | 11B | 113 BPM | ||
| Tarak Mantra | Bharat Balvalli | C Minor | 7 | 5A | 95 BPM | ||
| Shivohm Shivohm | Pujya Bhaishree Rameshbhai Ojha | E Major | 1 | 12B | 82 BPM | ||
| Mandir Taru Vishva Rupadu | Satish Dehra, Foram Maheta | E♭ Major | 4 | 5B | 97 BPM | ||
| Dakshin Kalika Dhyan | Debasish Chakraborty | E♭ Minor | 5 | 2A | 78 BPM | ||
| Shiv Tandav Stotram | Pujya Bhaishree Rameshbhai Ojha | A♭ Major | 8 | 4B | 110 BPM | ||
| Mera Aapki Kripa Se | Baal Gopal, Rudhav Sharma | G Major | 5 | 9B | 100 BPM | ||
| Ghalin Lotangan | Sudesh Bhosle, Chorus | D♭ Major | 7 | 3B | 112 BPM | ||
| Sundara Kanha | Rishi Nityapragya | E Major | 4 | 12B | 143 BPM | ||
| Vishvambhari Stuti | Kinjal Dave | B♭ Minor | 4 | 3A | 116 BPM | ||
| Ye Bhagwa Rang | Shahnaaz Akhtar | F♯ Major | 6 | 2B | 105 BPM | ||
| Tari Ek Ek Pal Jaye Lakhni | Hari Bharwad | E♭ Major | 5 | 5B | 180 BPM | ||
| Achyutam Keshavam | Madhvi Madhukar | E♭ Major | 3 | 5B | 176 BPM |