A Jubilant Overture by Alfred Reed, Mississippi State Symphonic Band, Ms. Elva Kaye Lance, Dr. Clifton Taylor, Dr. Craig Aarhus Song Details

"A Jubilant Overture" by Alfred Reed, Mississippi State Symphonic Band, Ms. Elva Kaye Lance, Dr. Clifton Taylor, Dr. Craig Aarhus had its release date on January 1, 2008. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in Mississippi State University Bands, Ms. Elva Kaye Lance, Dr. Clifton Taylor, Dr. Craig Aarhus's "Mississippi State University Bands 2007-2008" album is number 23 out of 25. Based on our statistics, A Jubilant Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of A Jubilant Overture by Alfred Reed, Mississippi State Symphonic Band, Ms. Elva Kaye Lance, Dr. Clifton Taylor, Dr. Craig Aarhus to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Music Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -17.536 dB
Acousticness: 99%
Danceability: 24%
Energy: 13%
Instrumentalness: 95%
Liveness: 29%
Loudness: 71%
Speechiness: 4%
Valence: 7%

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