Roland Marais, Petr Wagner, Ensemble Tourbillon's ' "Pieces de Viole, Book 2, Suite No. 1: VII. Rondeau Le Barrengue" was released on its scheduled release date, February 1, 2011. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Pieces de Viole, Book 2, Suite No. 1: VII. Rondeau Le Barrengue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roland Marais, Ensemble Tourbillon's "Marais: Pieces de Viole, Book 2" album is number 15 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pieces de Viole, Book 2, Suite No. 1: VII. Rondeau Le Barrengue is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pieces de Viole, Book 2, Suite No. 1: VII. Rondeau Le Barrengue by Roland Marais, Petr Wagner, Ensemble Tourbillon to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viola Concerto in G Major, TWV 51:G9: III. Andante | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Major | 3 | 5B | 95 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM | ||
| Concert XXVII: Bourrasque - Balet | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | E Major | 1 | 12B | 121 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
| Sinfonia, Op. 1 No. 4 | Bartolomeo Montalbano, Clas Pehrsson, Jakob Lindberg | B♭ Minor | 1 | 3A | 165 BPM | ||
| Noëls sur les instruments, H. 534: No. 6, Une jeune pucelle | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise | C Minor | 2 | 5A | 83 BPM | ||
| Suite Premiere -Viii. Chaconne (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 2 | 2A | 68 BPM | ||
| Violin Concerto in A Major, TWV 51:A4 "Die Relinge": II. Adagio | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 97 BPM | ||
| Couperin, L: Simphonie par Mr. Couperin en ré mineur | Louis Couperin, Jean Rondeau, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | A Minor | 2 | 8A | 143 BPM | ||
| Viola da Gamba Suite in D Major: IX. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | F♯ Major | 1 | 2B | 117 BPM | ||
| Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | B♭ Major | 1 | 6B | 141 BPM | ||
| Viola da gamba Sonata in D Major, A2:67: I. Andantino | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella, Thomas Boysen | F♯ Major | 1 | 2B | 54 BPM | ||
| Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
| Couperin, L: Suite en sol: II. Allemande, G. 82 | Louis Couperin, Jean Rondeau | F Major | 3 | 7B | 74 BPM | ||
| Pièces à deux violes du Premier Livre, suite en ré mineur: IV. Sarabande (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 1 | 12A | 91 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| Piece for English Guitar in D Minor: No. 1, Andante - Allegro moderato | Francesco Geminiani, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Minor | 1 | 12A | 112 BPM | ||
| Danze da Nuova e curiosa scuola de' balli teatrali (Arr. for Duo and Trio by T. Langlois de Swarte & O. Fourés): Micarena | Gregorio Lambranzi, Théotime Langlois de Swarte, Le Consort | F♯ Major | 0 | 2B | 62 BPM | ||
| Passa Galli: Passa Galli | Giovanni Battista Vitali, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | ||
| Pièces à deux violes du Premier Livre: Chaconne en sol majeur (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 1 | 2B | 128 BPM | ||
| Mystery Sonata No. 5 "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: VI. Remerciment de Corelli | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 79 BPM | ||
| Sonata for Recorder and Continuo in D Minor: II. Largo | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | G Minor | 0 | 6A | 78 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM |