Harry Manx's 'Sunday Morning Ascension' had a release date set for October 1, 2004. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Road Ragas". In this album, this song's track order is #13. In terms of popularity, Sunday Morning Ascension is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sunday Morning Ascension by Harry Manx having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Get Behind The Mule | John Hammond | C Major | 5 | 8B | 80 BPM | ||
| Dreamin' the Life | Jordie Lane | G Major | 6 | 9B | 94 BPM | ||
| Ball Peen Hammer | Chris Whitley | B♭ Minor | 5 | 3A | 171 BPM | ||
| Groovy Little Things | Ted Hawkins | A♭ Major | 3 | 4B | 90 BPM | ||
| Whipping Post | Jay Howie | D Major | 3 | 10B | 62 BPM | ||
| Love Me Baby Blues | Kelly Joe Phelps | C Major | 2 | 8B | 167 BPM | ||
| Twelve Thousand Miles | Jeff Lang, Chris Whitley | D♭ Minor | 9 | 12A | 88 BPM | ||
| So Long Blues | Ray Bonneville | D♭ Major | 3 | 3B | 96 BPM | ||
| Darkness | Garrett LeBeau | F Minor | 4 | 4A | 148 BPM | ||
| Albatross | Blues Company | E Major | 1 | 12B | 180 BPM | ||
| Crazy Love (Wedding Version) | Harry Manx | D Major | 2 | 10B | 136 BPM | ||
| Lonely Days | Michael van Merwyk | D Major | 3 | 10B | 102 BPM | ||
| Gun | Adela Dickens | E Minor | 2 | 9A | 139 BPM | ||
| Open Road | Ash Grunwald | G Major | 1 | 9B | 176 BPM | ||
| I Am The Ride | Chris Smither | B Minor | 4 | 10A | 90 BPM | ||
| Plains of Waterloo / James Connolly | Martin Simpson | C Major | 1 | 8B | 128 BPM | ||
| Can't Find My Way Home - Bonus Track | Rosie Flores | D Major | 3 | 10B | 81 BPM | ||
| Black Hat On The Bar | Shelby Street Blues | E Minor | 2 | 9A | 191 BPM | ||
| Three Golden Trees | Frazey Ford | G Minor | 5 | 6A | 113 BPM | ||
| Love Is Enough | Harry Manx | D Major | 3 | 10B | 80 BPM | ||
| Everett Ruess | Dave Alvin | A Major | 3 | 11B | 90 BPM | ||
| Heartattack And Vine | John Hammond | G Major | 7 | 9B | 86 BPM | ||
| After Midnight | Shannon McNally | A Minor | 4 | 8A | 98 BPM | ||
| Whole Damn World | Lee Harvey Osmond, Tom Wilson | A Major | 3 | 11B | 138 BPM | ||
| Tijuana | Harry Manx | A Major | 4 | 11B | 111 BPM |