Raghavendra Mayya's ' "Sadara Amita" was released on its scheduled release date, March 4, 2022. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Raghavendra Mayya's "Kalinga Navada Gaana Namana, Vol. 2" album is number 6 out of 12. On top of that, India appears to be the country where this track was created. Based on our statistics, Sadara Amita's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sadara Amita by Raghavendra Mayya to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ranganayaki, Pt. 4 | Heranjalu Gopal Ganiga, Raghavendra Mayya, Sridhar Bhat Katagal | E Major | 5 | 12B | 81 BPM | ||
| Perumal Sashti Kavasam | IDHAYAM MUSICALS, Veeramani Kannan | E Minor | 5 | 9A | 115 BPM | ||
| Tande Neene | Puttur Narasimha Nayak, Kumari Sneha | A♭ Major | 6 | 4B | 145 BPM | ||
| Sri Sani Sthotram | Parupalli Sri Ranganath | A Major | 5 | 11B | 80 BPM | ||
| Gajavadana Beduve | Bombay S. Jayashree | E Minor | 3 | 9A | 68 BPM | ||
| Ganapathi Stuti - Agajanana Shodasa Ganapathi Stotram | S. Rajeshwari | A♭ Major | 3 | 4B | 80 BPM | ||
| Tappu Nodade Bandeya | Vijay Krishna. D | F Minor | 6 | 4A | 110 BPM | ||
| Bandanumadeva | M. S. Ravigowda, B. Jayashree, Nandita | G Minor | 7 | 6A | 120 BPM | ||
| Atulabalanadetandu | Raghavendra Mayya | A Major | 1 | 11B | 114 BPM | ||
| Sloka | Hari Om Sharan | A♭ Major | 5 | 4B | 109 BPM | ||
| Annaipathu | Tiruttani N Swaminathan | G Minor | 6 | 6A | 142 BPM | ||
| Hasya Lahari, Pt. 3 | Heranjalu Gopala Ganiga, Raghavendra Mayya, Hiriyanna Achar Kigga | C Major | 5 | 8B | 80 BPM | ||
| Nadha Vindhu | Baladesikan | E Major | 4 | 12B | 75 BPM | ||
| Ninnaiyae | S. Sowmya | C Minor | 5 | 5A | 148 BPM | ||
| Eppadithan en Ullam | Sounds of Isha | B Major | 3 | 1B | 136 BPM | ||
| Sri Lakshmi Ashtakam | Bangalore Sisters | G Major | 7 | 9B | 151 BPM | ||
| Saptapadi, Vol. 3 | Heranjalu Gopal Ganiga, Sridhar Bhat Katagal, Raghavendra Mayya | G Minor | 6 | 6A | 82 BPM | ||
| MUCCHIBIDU MANASINA | Ravindra Nayak Sannakkibettu, Raghavendra Beejadi | F♯ Minor | 8 | 11A | 125 BPM | ||
| Veera Hanuma Bahu Parakrama | Vidyabhushana | A♭ Major | 5 | 4B | 109 BPM | ||
| Sharanu Sharanayya | Surekha, Shamitha | D Minor | 5 | 7A | 133 BPM | ||
| Maralu Maadi | Medha Vidyabhushan | E♭ Minor | 7 | 2A | 132 BPM | ||
| Ninna Sankataka | Chennaveera Gavayi | F♯ Minor | 5 | 11A | 105 BPM | ||
| Thunga Theeravirajam | Radha Thandaveshwar, Rama Sadashiv | A♭ Minor | 6 | 1A | 86 BPM | ||
| Amarajyothi Koti Chennayya | Narayana Shabaraya, Raghavendra Mayya | N/A | N/A | N/A | 0 BPM | ||
| Ramanama Payasake | Priya Sisters | E♭ Minor | 4 | 2A | 148 BPM |