Roland Marais, Petr Wagner, Ensemble Tourbillon's ' "Pieces de Viole, Book 2, Suite No. 3: V. Allemande La La Bergerie" was released on its scheduled release date, February 1, 2011. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Pieces de Viole, Book 2, Suite No. 3: V. Allemande La La Bergerie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roland Marais, Ensemble Tourbillon's "Marais: Pieces de Viole, Book 2" album is number 5 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pieces de Viole, Book 2, Suite No. 3: V. Allemande La La Bergerie is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pieces de Viole, Book 2, Suite No. 3: V. Allemande La La Bergerie by Roland Marais, Petr Wagner, Ensemble Tourbillon to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| Violin Sonata No. 1 in A Major, C. 138: V. Finale | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | D♭ Major | 0 | 3B | 84 BPM | ||
| Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
| The Secund Tuning: III. The Punckes delight | William Corkine, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| Pieces de Viole, Book 2, Suite No. 4: II. Allemande La Mailhet | Roland Marais, Petr Wagner, Ensemble Tourbillon | A♭ Major | 2 | 4B | 106 BPM | ||
| Violin Sonata in B-flat Major, Op. 5 No. 2: I. Grave | Arcangelo Corelli, Enrico Onofri | A♭ Major | 0 | 4B | 32 BPM | ||
| Mystery Sonata No. 7 "The Scourging at the Pillar": I. Allamanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Suite in A Major: V. Sarabande | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Vivaldi: Oboe Concerto in A Minor, RV 461: II. Larghetto | Antonio Vivaldi, Jaap Schröder, Michel Piguet, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
| Trio in D major / Ré majeur / D-dur: II. Allegro | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D♭ Major | 1 | 3B | 129 BPM | ||
| Concerto In A Major, Op.12, No.1: 1. Largo | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 101 BPM | ||
| Couperin, L: Suite en fa: II. Allemande, G. 66 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot | E♭ Major | 2 | 5B | 135 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Sonata Per Viola da Gamba No. 3 in G Major: I. Andante | Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno | D♭ Minor | 1 | 12A | 111 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM | ||
| Zarabanda detta la favorita | Giovanni Paolo Foscarini, Private Musicke | F Major | 1 | 7B | 145 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Salve Jesu, rex sanctorum" | Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort, Jeffrey Thompson | C Minor | 2 | 5A | 90 BPM | ||
| Recercada Ottava sobre tenore La Gamba | Diego Ortiz, Manon Papasergio, Yoann Moulin | F Major | 1 | 7B | 125 BPM | ||
| Suite En Mi Mineur: Allemande, II.98 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 120 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| Concerto grosso No. 3 in D Minor: III. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM |