"Three Hours" by Demian Dorelli had its release date on February 21, 2025. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 4 out of 10 in Five Leaves Left (echoes on solo piano) by Demian Dorelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Three Hours is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Three Hours by Demian Dorelli is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Triptych 1 for Piano | Pêtr Aleksänder | F Major | 2 | 7B | 133 BPM | ||
| River Man | Demian Dorelli | A♭ Major | 0 | 4B | 70 BPM | ||
| Dagsky | Jacob David | G Major | 1 | 9B | 185 BPM | ||
| Hoxa Sound | Erland Cooper | C Major | 2 | 8B | 86 BPM | ||
| Arvensis | Thomas Bartlett | B♭ Major | 0 | 6B | 70 BPM | ||
| Haar over Hamnavoe - Bill Ryder-Jones Rework | Erland Cooper, Bill Ryder-Jones | A♭ Major | 1 | 4B | 165 BPM | ||
| Over Salt Sea | Rose Riebl | A Minor | 1 | 8A | 87 BPM | ||
| By The Fire | Daniel Herskedal | E♭ Major | 0 | 5B | 67 BPM | ||
| Near and Far | Luke Howard | F Minor | 1 | 4A | 114 BPM | ||
| Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | ||
| At Dawn | Hania Rani | D Minor | 0 | 7A | 102 BPM | ||
| Deep Under | Eydís Evensen | E♭ Major | 2 | 5B | 114 BPM | ||
| Yesterday Waltz | Val Giamo | A Minor | 0 | 8A | 68 BPM | ||
| Leading Somewhere | Gustaf Ljunggren, Skúli Sverrisson | E Major | 0 | 12B | 65 BPM | ||
| Adrift | Jacob Mühlrad | D Minor | 0 | 7A | 67 BPM | ||
| Noah | Haeun Joo | F Minor | 1 | 4A | 114 BPM | ||
| Forever, and No Time at All | Nat Bartsch | E♭ Major | 1 | 5B | 105 BPM | ||
| Isen Bruten | Gustaf Ljunggren | D Major | 2 | 10B | 79 BPM | ||
| Sonata Fragment (Beethoven redesigned) | Carlos Cipa | E Minor | 0 | 9A | 67 BPM | ||
| Cabo de Gata | Bart Sunshine | E♭ Major | 1 | 5B | 111 BPM | ||
| The Dreamer´S Perspective | Kainny Vig | F Minor | 1 | 4A | 114 BPM | ||
| A Vision | Demian Dorelli | B♭ Minor | 1 | 3A | 133 BPM | ||
| Lullaby | Roedelius, Arnold Kasar | A Major | 1 | 11B | 100 BPM | ||
| Lost Futures | Marisa Anderson, William Tyler | D Major | 3 | 10B | 108 BPM | ||
| Houses | Demian Dorelli | B♭ Minor | 2 | 3A | 153 BPM |