Harry James's ' "All Or Nothing At All (08-31-39)" was released on its scheduled release date, March 30, 2009. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 23 in Complete Jazz Series 1939 by Harry James. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, All Or Nothing At All (08-31-39) is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of All Or Nothing At All (08-31-39) by Harry James is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Apologize | Billy Eckstine | D♭ Major | 4 | 3B | 170 BPM | ||
| Music, Maestro, Please! | Tommy Dorsey & Edythe Wright | F Major | 1 | 7B | 120 BPM | ||
| Cole Porter: Let's Do It (From "Paris") | Cole Porter, The John Wilson Orchestra, John Wilson, Anna Jane Casey | A Minor | 3 | 8A | 135 BPM | ||
| If You Are But A Dream (with The Bobby Tucker Singers) | Frank Sinatra, Bobby Tucker Singers | B♭ Major | 2 | 6B | 87 BPM | ||
| I Can't Believe That You're In Love With Me - Remastered/1998 | Dean Martin | D♭ Major | 2 | 3B | 135 BPM | ||
| Walking Happy | Frank Sinatra Jr. | C Major | 4 | 8B | 140 BPM | ||
| If I Had You | Benny Goodman | F Major | 2 | 7B | 111 BPM | ||
| A Room With A View | Artie Shaw | G Minor | 1 | 6A | 120 BPM | ||
| Happy Times | Bob Crosby & The Bob Cats | D Minor | 3 | 7A | 163 BPM | ||
| Take My Heart | Al Martino | F Major | 3 | 7B | 86 BPM | ||
| James Session | Harry James | D♭ Major | 7 | 3B | 115 BPM | ||
| Mean To Me - Remastered/1998 | Dean Martin | G Major | 1 | 9B | 103 BPM | ||
| My Darling, I Love You | Al Martino | C Major | 3 | 8B | 88 BPM | ||
| Trade Winds | Frank Sinatra, Tommy Dorsey Orchestra | D♭ Major | 0 | 3B | 128 BPM | ||
| Too Marvellous For Words (with Harry James and His Orchestra) | Doris Day, Harry James | C Major | 1 | 8B | 112 BPM | ||
| Amapola (Pretty Little Poppy) | Jimmy Dorsey & His Orchestra | D Minor | 3 | 7A | 163 BPM | ||
| Be Anything (But Be Mine) | Helen O'Connell | B Minor | 1 | 10A | 82 BPM | ||
| The Song Is You | Frank Sinatra | B♭ Major | 1 | 6B | 114 BPM | ||
| Please Don't Talk About Me When I'm Gone | Gene Austin | E♭ Major | 3 | 5B | 76 BPM | ||
| Nevertheless (I'm In Love With You) - 1958 version | The Mills Brothers | C Major | 1 | 8B | 79 BPM | ||
| Waitin' For the Train To Come In (with Harry James & His Orchestra) | Kitty Kallen, Harry James | E♭ Major | 3 | 5B | 86 BPM | ||
| You Better Go Now | Harry James, his New Jazz Group | C Major | 1 | 8B | 125 BPM | ||
| All By Myself - 2001 Digital Remaster | Bobby Darin | B♭ Major | 3 | 6B | 67 BPM | ||
| A You're Adorable | Jimmy Dorsey, Paul Weston | D Minor | 3 | 7A | 163 BPM | ||
| You've Got That Thing | Bobby Short | B♭ Major | 4 | 6B | 151 BPM |